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Showing posts with label kente cloth. Show all posts
Showing posts with label kente cloth. Show all posts

Wednesday, 18 June 2014

Juneteenth Commemorations & Celebrations (information & videos)

Posted on 20:36 by mukhiya
Edited by Azizi Powell

This post provides information about the African American celebration of Juneteenth and provides examples of Juneteenth celebrations.

I'm particularly interested in the way that various Juneteenth celebrations throughout the United States include elements of traditional West African culture such as African dancing, drumming and (in one video African singing) and wearing traditional West African outfits made of kente cloth or other fabrics. I've noted examples of these that are found in some of the videos below, and included an editorial comment as an Addendum to this post.

The content of this post is provided for historical, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to all those who contributed to African American freedom. Thanks also to all those who are quoted in this post and thanks to all those who are featured in the videos. In addition, thanks to the publishers of these YouTube sound files and videos.

****
INFORMATION ABOUT JUNETEENTH
From
http://www.juneteenth.com/history.htm
"Juneteenth is the oldest known celebration commemorating the ending of slavery in the United States. Dating back to 1865, it was on June 19th that the Union soldiers, led by Major General Gordon Granger, landed at Galveston, Texas with news that the war had ended and that the enslaved were now free. Note that this was two and a half years after President Lincoln’s Emancipation Proclamation - which had become official January 1, 1863. The Emancipation Proclamation had little impact on the Texans due to the minimal number of Union troops to enforce the new Executive Order. However, with the surrender of General Lee in April of 1865, and the arrival of General Granger’s regiment, the forces were finally strong enough to influence and overcome the resistance.

Later attempts to explain this two and a half year delay in the receipt of this important news have yielded several versions that have been handed down through the years. Often told is the story of a messenger who was murdered on his way to Texas with the news of freedom. Another, is that the news was deliberately withheld by the enslavers to maintain the labor force on the plantations. And still another, is that federal troops actually waited for the slave owners to reap the benefits of one last cotton harvest before going to Texas to enforce the Emancipation Proclamation. All of which, or neither of these version could be true. Certainly, for some, President Lincoln's authority over the rebellious states was in question. For whatever the reasons, conditions in Texas remained status quo well beyond what was statutory.

General Order Number 3

One of General Granger’s first orders of business was to read to the people of Texas, General Order Number 3 which began most significantly with:

"The people of Texas are informed that in accordance with a Proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of rights and rights of property between former masters and slaves, and the connection heretofore existing between them becomes that between employer and free laborer."

The reactions to this profound news ranged from pure shock to immediate jubilation. While many lingered to learn of this new employer to employee relationship, many left before these offers were completely off the lips of their former 'masters' - attesting to the varying conditions on the plantations and the realization of freedom. Even with nowhere to go, many felt that leaving the plantation would be their first grasp of freedom. North was a logical destination and for many it represented true freedom, while the desire to reach family members in neighboring states drove the some into Louisiana, Arkansas and Oklahoma. Settling into these new areas as free men and women brought on new realities and the challenges of establishing a heretofore non-existent status for black people in America. Recounting the memories of that great day in June of 1865 and its festivities would serve as motivation as well as a release from the growing pressures encountered in their new territory. The celebration of June 19th was coined "Juneteenth" and grew with more participation from descendants. The Juneteenth celebration was a time for reassuring each other, for praying and for gathering remaining family members. Juneteenth continued to be highly revered in Texas decades later, with many former slaves and descendants making an annual pilgrimage back to Galveston on this date."...
-snip-
Juneteenth has developed into a day to celebrate African American history and African American heritage, including African heritage - through parades, through formal cultural programs, and through community gatherings that include music, dance, and food.

However, it's important to note that Juneteenth isn't known or traditionally celebrated by a number of African Americans outside of the state of Texas. I believe that's particularly true for African Americans in the Eastern region of the United States who often weren't aware of Juneteenth until relatively recently, or may still not be aware of the historical significance of that day. For example, I was born and raised in New Jersey and have lived in Pittsburgh, Pennsylvania since the late 1960s. It wasn't until the late 1990s or early 2000s that I learned about Juneteenth when a now defunct Black "urban" radio station in Pittsburgh sponsored the first Juneteenth celebration event in that city. As I recall, in keeping with its sponsor, that event mostly showcased local R&B/Hip-Hop music groups. While some Pittsburgh community organizations may still sporadically hold cultural programs honoring Juneteenth on a Saturday or Sunday near that date, I don't believe that those celebrations are that big or that well known. That said, notice that the Eastern city of Buffalo, New York celebrated its 38th annual Juneteenth parade in 2013 as documented in a video found below.

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SHOWCASE VIDEOS ABOUT THE MEANING OF JUNETEENTH
Example #1: "The Roots of Juneteenth" - Galveston, TX



visitgalvestonisland, June 1, 2012

Every year visitors to Galveston, Texas "come home where it all began" to celebrate one of the largest Juneteenth celebrations in the country! Did you know Juneteenth-a holiday now celebrated by more than 40 states-began in Galveston, Texas? Galveston holds the distinction of being the place in the United States where the last slaves were freed. Find out more in this short video and don't forget to visit http://www.galveston.com/juneteenth/
-snip-
Here's an excerpt from that website:
"Today Juneteenth commemorates African American freedom and emphasizes education and achievement. It is a day, a week, and in some areas a month marked with celebrations, guest speakers, picnics and family gatherings. It is a time for reflection and rejoicing. It is a time for assessment, self-improvement and for planning the future. Its growing popularity signifies a level of maturity and dignity in America long over due. In cities across the country, people of all races, nationalities and religions are joining hands to truthfully acknowledge a period in our history that shaped and continues to influence our society today. Sensitized to the conditions and experiences of others, only then can we make significant and lasting improvements in our society. - compliments of Juneteenth.com"

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Example #2: Juneteenth - A Celebration of Freedom (Trailer) [Texas]



FASTCUTFILMS-TEXAS,uploaded on June 4, 2009

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FEATURED VIDEOS OF JUNETEENTH CELEBRATIONS
These examples are presented in chronological order based on their posting date on YouTube, with the oldest examples given first. The state from which the video comes is given in brackets.

Example #1: Juneteenth Parade 2013, 38th Annual Parade, Buffalo NY [New York]



Wil Images, Published June 19, 2013 [parade held on June 15, 2013
-snip-
Notice that among the very wide range of educational, recreational, cultural, health & community services, and religious organizations/institutions that participated in this event, the parade also included steppers from a number of historically Black college & university fraternities & sororities. The inclusion of BGLO (Black Greek Lettered Organizations) documents the increased presence of undergraduate college & university Black Greek organization outside of their campuses as part of mainstream Black American culture. One result of that increased presence is the number of non-college/university Black step teams that have been created in Black American and other American communities since the 1980s. Click the Black fraternity and sorority steppin tag below to find pancocojams post on stepping.

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Example #2: Juneteenth Parade 2013 [Texas]



KUT Austin, Published on June 16, 1013

Big crowds turn out for the annual Juneteenth parade
-snip-
A highly anticipated and central facet of this parade is when paraders throw candy or hand candy to those watching the parade, especially children. The act of throwing desired objects to parade onlookers is also a feature of Louisiana Mardi Gras parades. I also recall that firemen threw candy to children during their annual parade when I was a child in Atlantic City, New Jersey in the 1950s.

****
Example #3: Boston's Juneteenth Celebration 2013 - Program Highlights [Massachusetts]



Uphams Corner News, June 29, 2013

Boston’s Juneteenth celebration at the Museum of African American Artists (6/19/2013) Keynote Speaker Professor Charles Ogletree, Harvard University, drumming and singing groups including Paige Academy and The Butterfly Project.
-snip-
Notice the kente cloth that serves as a backdrop to the speakers’ podium, as well as the kente cloth outfit that is worn by the young girl at 2:5, and various patterns & colors of kente cloth stoles that are shown throughout this video, including the one which is worn by the vocalist who leads the attendees in singing "Lift Every Voice And Sing", which is known as the African American National Anthem [around 10:02]. Also, notice the inclusion of other examples of traditional West African clothing as well as West African dancing & drumming in this celebration.

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Example #4: Neighborhood Block Association's 2013 Richmond California Juneteenth Parade & Celebration [California]



Djijaga, July 2, 2013
-snip-
Notice the young people wearing kente cloth stoles as a commemoration of their African heritage [2:16-2:29]

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Example #5: JuneTeenth Celebration with Dance [Ohio]



Socially Good TV, Published June 14, 2014

Watch highlights and learn about the Djapo Cultural Arts Institute (Djapo.com) and the Juneteenth Conference and Concert Weekend Celebration from Talise Cambell, Cleveland Ohio.
-snip-
I'm not a dancer, but I've attended a considerably large number of African dance performances in the United States. This highlight trailer & the narration makes me wish that I could see a live performance of this dance group or groups. I wonder if some of the performers or the instructors are African or if the African American instructors/dancers traveled to an African country/countries to learn these dances. Kudus to these dancers for their adherence to traditional West African dance techniques/costumes and the high quality of their performances! And also kudus to the drummers and other musicians!

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ADDENDUM & RELATED LINKS
I believe that the inclusion of African drumming, African dancing, wearing traditional West African or West African inspired outfits and other elements of African culture into Juneteenth celebrations reflects the achievement of a Black cultural nationalist goal from that African American movement that flowered in the late 1960s/early 1970s. That goal was that our African heritage would be accepted by more African Americans as a legitimate and admired part of our past culture and our present day culture.

Three other examples of the normalization of traditional African culture as an expression of African American culture are the celebration of Kwanzaa, the African American custom of wearing kente cloth stoles during graduation ceremonies, and the celebration of African Day in churches during which church members are encouraged to wear African or African inspired outfits. Click http://pancocojams.blogspot.com/2012/12/teddy-pendergrass-happy-kwanzaa-video.html for a pancocojams post on Kwanzaa. Also click "http://pancocojams.blogspot.com/2014/02/wearing-kente-cloth-stoles-during.html and http://pancocojams.blogspot.com/2014/02/african-day-worship-services-in-african.html for two of four posts in a pancocojams series about African Americans wearing kente cloth.

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Thanks for visiting pancocojams.

Visitor comments are welcome.
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Posted in African American history and culture, African American parades, African dancing and drumming, American holidays, Black cultural nationalism, Black fraternity and sorority steppin, kente cloth | No comments

Tuesday, 17 June 2014

Here Are Two Suggestions For Delta Airlines Which Tweeted A Depiction Of A Giraffe To Represent The African Nation Of Ghana

Posted on 19:00 by mukhiya
Edited by Azizi Powell

Background:
From http://news.yahoo.com/delta-ghana-giraffe-tweet-world-cup-120912430.html
Giraffe gaffe: Delta apologizes for USA-Ghana World Cup tweet
article written by Dylan Stableford, Yahoo News, June 16, 2014

"Delta Airlines has apologized for a tweet — posted after Monday's thrilling 2-1 U.S. World Cup victory over Ghana — that used a picture of a giraffe to represent the African country.

"Congrats team #USA!" Delta wrote in the tweet, which included an overlay of the score above stock images of the Statue of Liberty and a giraffe.

But the airline deleted the tweet after Twitter users pointed out that while the continent of Africa may be home to giraffes, Ghana is not...

The airline later issued an apology.
We're sorry for our choice of photo in our previous tweet. Best of luck to all teams.

9:40 PM - 16 Jun 2014
Nonetheless, the ill-conceived tweet was widely mocked and sparked several photo-driven parodies."
-snip-
Among the photo-driven parodies is one of a giraffe seen outside the window of a plane flying high in the air. A number of commenters critical of Delta Airlines indicated that the offending tweet was made because the airline representative was not only ignorant of Ghanaian culture but lumped all African nations together.

A commenter from that same article whose link is given above wrote:
W. June 17, 2014
"Many of you are falling into the same trap Delta did–generalizing based on limited information. The point of the criticism of Delta is that no one takes the time to learn about what is happening in Africa and base their notions on limited media coverage (generic "Africa shots" and reporting on disasters). This is true of other places as well. Curiously, many of the same people talk about how the media can't be trusted to cover their pet issues here in the US."
-snip-
Here's a well meaning suggestion for Delta Airlines:
The next time you want to use a symbol to represent Ghana, West Africa, use a drawing of an adinkra symbol.

From http://en.wikipedia.org/wiki/Adinkra_symbols
"Adinkra are visual symbols, originally created by the Akan, that represent concepts or aphorisms. Adinkra are used extensively in fabrics, pottery, logos and advertising. They are incorporated into walls and other architectural features. Fabric adinkra are often made by woodcut sign writing as well as screen printing. Adinkra symbols appear on some traditional akan gold weights. The symbols are also carved on stools for domestic and ritual use. Tourism has led to new departures in the use of the symbols in such items as T shirts and jewelry.

The symbols have a decorative function but also represent objects that encapsulate evocative messages that convey traditional wisdom, aspects of life or the environment. There are many different symbols with distinct meanings, often linked with proverbs. In the words of Anthony Appiah, they were one of the means in a pre-literate society for "supporting the transmission of a complex and nuanced body of practice and belief".

Akan oral tradition dates the arrival of adinkra among the Akan to the end of the 1818 Asante–Gyaman War. However, the Englishman Thomas Edward Bowdich collected a piece of adinkra cloth in 1817, which demonstrates that adinkra art existed before the traditional starting date.[2] Bowdich obtained this cotton cloth in Kumasi, a city in south-central Ghana. The patterns were printed using carved calabash stamps and a vegetable-based dye. The cloth features fifteen stamped symbols, including nsroma (stars), dono ntoasuo (double Dono drums), and diamonds. It is now in the British Museum."...

Adinkra cloths were traditionally only worn by royalty and spiritual leaders for funerals and other very special occasions. They are now worn by anyone, stylishly wrapped around women or men on any special occasion.[4] In the past they were hand printed on undyed, red, dark brown or black hand-woven cotton fabric depending on the occasion and the wearer's role; nowadays they are frequently mass-produced on brighter coloured fabrics....

The present centre of traditional production of adinkra cloth is Ntonso, 20 km northwest of Kumasi"...
-snip-
Also, since at least the 1980s, both of the pictorial representations of the adinkra symbol known as "sankofa" and the term "sankofa" itself have been widely adopted by afro-centric African Americans. Among African Americans, the proverb that is attached to that symbol- "Return and get it" also given as "It's never too late to go back and get what you have forgotten" have been re-contextualized as a symbol of the importance of learning from the past and as a public declaration by people from the African Diaspora of our connection with our African heritage. http://en.wikipedia.org/wiki/Sankofa

An internet search readily reveals the plethora of African American cultural organizations & Black American community based educational institutions with the name "Sankofa" or the use of one of the two pictorial symbols of Sankofa: a bird facing forward while looking backwards with a seed in its mouth or an abstract symbol that resembles a heart. Hence, using the sankofa adinkra symbol to represent Ghana should have been an easy answer to Delta Airlines' question about what symbol to use for that nation.

Here's another well meaning suggestion for Delta Airlines:
Instead of using a depiction of a giraffe to represent the nation of Ghana, or instead of using a depiction of an adinkra symbol, use a photograph or drawing of a kente cloth stole.

From http://en.wikipedia.org/wiki/Kente_cloth
"Kente cloth, known as nwentoma in Akan, is a type of silk and cotton fabric made of interwoven cloth strips and is native to the Akan ethnic group of South Ghana.

Kente cloth has its origin with the Ashanti Kingdom, and was adopted by people in Ivory Coast and many other West African counties. It is an Akan royal and sacred cloth worn only in times of extreme importance and was the cloth of kings. Over time, the use of kente became more widespread. However, its importance has remained and it is held in high esteem with Akans.

Kente is made in Akan lands such as Ashanti Kingdom, (Bonwire,Adanwomase, Sakora Wonoo, Ntonso in the Kwabre areas of the Ashanti Region) and among Akans. Kente is also produced by Akans in Ivory Coast. Lastly, Kente is worn by many other groups who have been influenced by Akans. It is the best known of all African textiles"...
-snip-
Kente cloth has also been adopted by African Americans to symbolize our connection to traditional West African culture. For example, a kente cloth stole is often worn by African American graduates of high schools and universities as a celebratory mark of that achievement.

Admittedly these two suggestions are from an African American and not from a Ghanaian. However, it seems to me that both of these suggestions would have worked far better than the use of a photograph or drawing of a giraffe to represent the nation of Ghana.

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FEATURED VIDEOS

Example #1: Exquisite Impressions: Adinkra Symbols



7rochelle, May 8, 2008

A short film on contemporary uses of adinkra symbols in African and African diasporic art.
-snip-
Click http://www.siliconafrica.com/african-symbols-for-creative-design/
for more information about and pictorial examples of Adinkra symbols.

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Example #2: Fresno County 2012 African American Graduation



LeachMedia Published on May 23, 2012
-snip-
This video is included in Part I of a four part pancocojams series about kente cloth. http://pancocojams.blogspot.com/2014/02/wearing-kente-cloth-stoles-during.html.

Part I focuses on the custom of Black graduates in the USA wearing kente cloth stoles. The links to the other posts in that series are included in that post.

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Thanks to all those who are quoted in this post. Thanks also to the producers of and the publishers of the videos which are featured in this post.

All copyrights remain with their owners.

Thanks for visiting pancocojams.

Visitor comments are welcome.
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Posted in Adinkra symbols, FIFA World Cup, Ghanaian culture, kente cloth | No comments

Thursday, 20 February 2014

Kings & Queens In The Modern African Nation Of Ghana

Posted on 04:22 by mukhiya
Edited by Azizi Powell

This post showcases 7 videos of contemporary kings and queens in Ghana, West Africa. Information about the ancient empire of Ghana and a description of the king of that empire are provided in this post along with information about the modern nation of Ghana. This post also provides videos and comments about the Asantehene, the great king of the Asantes [Ashantis], videos of the king (Dwabenhene) and queen of the Akan state of Dwaben (Juaben), and a video of another king in modern day Ghana.

The content of this post is presented is for historical, educational, cultural, and aesthetic purposes. My overarching goal is to debunk the widespread misconception in the United States and elsewhere that the only royalty in the entire huge continent of Africa were the pharaohs and queens of historical Egypt.

All copyrights remain with their owners.

Much respect is given to all those who are featured in these videos. Thanks to the publishers of these videos on YouTube and thanks to all those who are quoted in this post.

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INFORMATION ABOUT ANCIENT GHANA
From http://www.bbc.co.uk/worldservice/africa/features/storyofafrica/4chapter1.shtml
"Ancient Ghana
GEOGRAPHY
Despite its name, the old Empire of Ghana is not geographically, ethnically, or in any other way, related to modern Ghana. It lies about four hundred miles north west of modern Ghana. Ancient Ghana encompassed what is now modern Northern Senegal and Southern Mauritania...

GOLD
What is clear, is that the Empire derived power and wealth from gold. And the introduction of the camel in the Trans-Saharan trade boosted the amount of goods that could be transported.

Most of our knowledge of Ghana comes from Arab writers. Al-Hamdani, for example, describes Ghana as having the richest gold mines on earth. These were situated at Bambuk, on the upper Senegal River...
The King adorns himself like a woman wearing necklaces round his neck and bracelets on his forearms and he puts on a high cap decorated with gold and wrapped in a turban of fine cotton. He holds an audience in a domed pavilion around which stand ten horses covered with gold-embroidered materials…and on his right, are the sons of the vassal kings of his country, wearing splendid garments and their hair plaited with gold.

At the door of the pavilion are dogs of excellent pedigree. Round their necks they wear collars of gold and silver, studded with a number of balls of the same metals."
10th century geographer Al-Bakri, quoted in Corpus of Early Arabic Sources for West African History
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INFORMATION ABOUT MODERN GHANA
From http://en.wikipedia.org/wiki/Ghana
"Ghana ..., officially called the Republic of Ghana, is a sovereign state and unitary presidential constitutional republic, located along the Gulf of Guinea and Atlantic Ocean, in West Africa. In 1957, Ghana became the first nation to declare independence from colonization in sub-saharan Africa...

The word Ghana means "Warrior King" and was the title accorded to the kings of the medieval Ghana Empire in West Africa, although this empire was further north than the modern-day country of Ghana in Guinea region.[16]

The name "Ghana" was the source of the name "Guinea" (via French Guinoye) used to refer to the West African coast off Ghana (as in Gulf of Guinea).[17]

Ghana was adopted as the legal name for the area comprising four separate parts which immediately before independence enjoyed distinct constitutional positions:[18]
the Colony of the Gold Coast;
the Colony of Ashanti;
the Protectorate of the Northern Territories; and
the Trust Territory of Togoland (under British administration)...

Ghana is a unitary presidential constitutional republic with a parliamentary multi-party system....

Ghana is divided into 10 administrative regions. [One of those regions is the Ashanti Region whose capitol is Kumasi.]"...

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INFORMATION ABOUT THE ASANTEHENE
From http://en.wikipedia.org/wiki/List_of_rulers_of_Asante
..."The Asantehene is the ruler of the Ashanti people and the Kingdom of Ashanti, historically a position of great power. The Asantehene is traditionally enthroned on a golden stool known as the Sika 'dwa, and the office is sometimes referred to by this name.[3] The Asantehene is also the titular ruler of Kumasi, capital of Ashanti. The Asante state, or Asanteman (also known as the Kingdom of Ashanti, Ashantiland, Ashanti and Asante, Empire of Ashanti or Ashanti Confederacy), comprises the Ashanti region. The Ashanti Empire and Confederacy comprised part of present-day Akanland (southern Ghana) and portions of present-day eastern Côte d'Ivoire between the 17th and 20th centuries.[3][4]...

On 6 March 1957, the Kingdom of Ashanti entered a state union with Ghana, the Northern Territories, the Gold Coast Crown Colony and the British Mandate of Togoland to form the modern state of Ghana. The office of Asantehene is now a sub-national absolute constitutional monarchy, and is protected by the Ghanaian constitution."
-snip-
There are other Asante royalty who give homage to the Asantehene.

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INFORMATION ABOUT THE JUABENHENE (DWABENHENE
The Juabenhene (Dwabenhene) is the titular king of the Juaben (Dwaben) people in the Akan State of Juaben (Dwaben). [refer to video example #2, #3 and #4 below]. Note that the summary statement for Example #2 refers to a honorary connection between the Dwaben Queen and the Ashantehene. A link to the lengthy summary statement is provided after the video given below as Example #4. That summary statement provides information about the history of the Juaben royalty & their historical and present day connections to the Asantehene.

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FEATURED VIDEOS
These videos are presented in chronological order based on their posting dates with the oldest videos given first.

Example #1: Otumfuo Osei Tutu II at Ghana Expo 2004 Atlanta GA



adugyamfi67, Uploaded on Jan 27, 2010

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Example #2: QUEEN OF JUABEN/DWABEN, GREETS KING OF ASANTE, ASANTEHENE



Hunter Gatherer, Uploaded on Dec 2, 2010

The Queen of Juaben, Nana Akosua Akyaamaah III, greeting her son, by custom, the King of Asante, Otumfuo Osei Tutu II.

Beforehand, Daasebre Otuo Serebour II on the left hand side of videopage, makes an ushering gesticulation.

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Example #3: The King of Dwaben and Retinue About To Greet The King of Asante, Asantehene.



Hunter Gatherer, Uploaded on Dec 4, 2010

The King of Dwaben and retinue, arriving at a durbar in Kumasi. 2010
-snip-
Click http://en.wikipedia.org/wiki/List_of_rulers_of_the_Akan_state_of_Dwaben for a list of rulers of the Akan state of Dwaben.

"durbar" = the court of a native ruler, a public audience or levee held by a native prince or by a British governor or viceroy; an official reception." http://dictionary.reference.com/browse/durbar

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Example #4: Ghana Asante. Africa. The Juabens, A Proud And Noble People



Hunter Gatherer, Uploaded on Oct 3, 2010
-snip-
Click http://www.youtube.com/watch?v=1Xin0atDuXk for a lengthy comment that provides historical information about the Juaben royalty and their relationship to the Asantehene. Here's an excerpt from that summary statement which explains the chant and music played with this pictorial video:
"This pictorial rendition is accompanied by the chant of the Kwadwom minstrels of Juaben, the blowing of state horns of Juaben and the drumming of dirges, appellations and other strong names of the Juaben kings. The kwadom, horn and drum accompaniment was recorded in the late 1950s or perhaps 1960s."

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Example #5: The Asantehene



massaitotea, Uploaded on Oct 8, 2011

Features history, and culture of the Asantes of Ghana, with the primary focus of the documentary being the 10th anniversary celebration of the current Asantehene, Otumfuor Osei Tutu II.

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Example #6: Busy Bee in Ghana: King Being Carried Through the Streets Odwira Festival



busybeebzb Uploaded on Oct 22, 2011

One of the kings being carried through the streets in Acropong Ghana, during the 2011 Odwira Festival
-snip-
"Busy Bee" is the name of the video uploader.

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Example #7: 40th Anniversary Of King Of Juaben (Dwaben) In Ashanti, Ghana And Ivory Coast, Africa



Hunter Gatherer, Uploaded on Feb 27, 2012

The King of Juaben, borne aloft in a palanquin and proceeding to the durbar grounds. 40th Anniversary of His Installation.

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RELATED LINK
Click http://pancocojams.blogspot.com/2014/02/kente-dances-parties-worldwide.html for another video of the Asantehene (King) Osei Tutu II's visit to Atlanta, Georgia [USA] in 2004.

****
Thanks for visiting pancocojams.

Visitor comments are welcome.
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Posted in African history, African kings, Ghana culture, kente cloth, West Africa | No comments

Monday, 10 February 2014

Kente Parties Worldwide (videos)

Posted on 14:42 by mukhiya
Edited by Azizi Powell

This post featured eight videos of kente wearing parties and events throughout the world. These featured videos are of kente themed parties in Australia, Canada, Norway, The United Kingdom, Germany, The Netherlands, Spain, and Belgium.*

As a bonus, a video of the Asantehene (King) Osei Tutu II's visit to Atlanta, Georgia [USA] in 2004 is also included in this post.

Click these links for three other posts in this series about contemporary customs of wearing kente cloth:
http://pancocojams.blogspot.com/2014/02/wearing-kente-cloth-stoles-during.html

http://pancocojams.blogspot.com/2014/02/african-day-worship-services-in-african.html

and
http://pancocojams.blogspot.com/2014/02/kente-cloth-worn-by-american-gospel.html

The purpose of this post is to showcase the different kente cloth designs and showcase the way that Ghanaians wear kente.

The content of this post is presented for cultural, religious, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the all those featured in these videos and thanks to the publishers of these videos on YouTube.

*This post was formerly titled "Kente Dances And Parties Worldwide".

By no means is this meant to represent all the nations in the world that have had kente themed parties. For example, a video of a kente party in the United States, and a video of a kente parties in Italy are also found on YouTube.

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BACKGROUND
Kente parties and dances are social dance events in which men and women, most of which are of Ghanaian descent, wear outfits made out of kente cloth. The summary statement for the video given as Example #2 below indicates that the party is "A Celebration of Kente cloth as a symbol of Ghanaian culture".

These social occasions provide opportunities for Ghanaians living internationally to socialize together and reinforce their ties to their culture.

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FEATURED EXAMPLES
These examples are posted in chronological order, with the oldest dated examples presented first.

Example #1: AustraliaGhana Kente Dance Melbourne 2 [Australia]



Azantoa, Uploaded on Feb 3, 2009

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Example #2: Kente Dance in Vancouver, part 2 B.C 2009 [Canada]



mansah adom, Uploaded on Dec 9, 2009

A Celebration of Kente cloth as a symbol of Ghanaian culture by Ghanaians living in British Columbia, Canada .

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Example #3: amammere.wmv [Norway]



unitymedia, Uploaded on Jul 11, 2011

kente party Stavanger-Norway

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Example #4: GHANA INDEPENDENCE DANCE 2011 [The United Kingdom]



emabcreations,·Uploaded on Apr 14, 2011

Aren't they beautiful? the ladies, the men, the style, the traditional kente dress, the song, the groove, the catwalk, etc = colours of the rainbow !! just lovely !!

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Example #5: ..Kente Dance Hamburg 2007 [Germany]



desepaet Jones, Uploaded on Jul 29, 2011

Celebration of the westafrican traditional fabrics Kente

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Example 6#: Kente Festival 2012.mpg [The Netherlands]



Gives Own. Published on Sep 25, 2012

****
Example #7: Kente party 1_d [Spain]



Yakubu Mone Fuseini Published on Feb 18, 2013

Gh. Union of Logroño La-Rioja (Spain)

Kente party. Part 1. 29th Dicember 2012.

****
Example #8: ADVERT FOR KENTE & AFRICAN WEAR PARTY 2013 (BELGIUM)



nkosuohene, Published on Apr 2, 2013

****
BONUS VIDEO: KING OSEI TUTU II VISITS ATLANTA



oupipeestudios, Uploaded on Apr 6, 2007

Ghana's geat king visit to Atlanta
-snip-
From http://en.wikipedia.org/wiki/List_of_rulers_of_Asante
"The Asantehene is the absolute monarch of Ashanti and the Ashanti (or Asante) people...

The Asantehene is the ruler of the Ashanti people and the Kingdom of Ashanti, historically a position of great power. The Asantehene is traditionally enthroned on a golden stool known as the Sika 'dwa, and the office is sometimes referred to by this name.[3] The Asantehene is also the titular ruler of Kumasi, capital of Ashanti. The Asante state, or Asanteman (also known as the Kingdom of Ashanti, Ashantiland, Ashanti and Asante, Empire of Ashanti or Ashanti Confederacy), comprises the Ashanti region. The Ashanti Empire and Confederacy comprised part of present-day Akanland (southern Ghana) and portions of present-day eastern Côte d'Ivoire between the 17th and 20th centuries.

The current Asantehene is Otumfuo Nana Osei Tutu II, born Nana Kwaku Dua, who ascended as the 16th Asante ling in April 1999"...
-snip-
I'm not sure when King Osei Tutu II visited Atlanta.

****
RELATED LINKS
Click http://kwekudee-tripdownmemorylane.blogspot.com/2012/12/kente-cloth-ghanas-ashanti-cultural.html for information and beautiful photographs of men, women, and children wearing kente wraps. Women wearing kente wraps contrasts with the clothing styles of almost all the women in the videos featured in this pancocojams post. In those videos, the women wore sewed two piece close fitted tops and fitted long skirts made of kente cloth, and most of the men who wore kente outfits wore kente wrapped around toga-like (with one shoulder out) along with long Western style pants and sandals without socks. A few of those men wore a short sleeve shirt under the kente wrap, but most of the men wearing kente cloth wore no shirt underneath it.

**
Click http://africa.si.edu/exhibits/kente/strips.htm for pages on the museum exhibition "Wrapped In Pride"

****
Thank you for visiting pancocojams.

Visitor comments are welcome.

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Posted in African fabric, Ghanaian culture, Ghanaian music and dance, kente cloth | No comments

Kente Cloth Worn By American Gospel Choirs

Posted on 08:44 by mukhiya
Edited by Azizi Powell

Ghana's and the Ivory Coast's kente cloth is the most widely known of all African fabrics. Since the mid 1970s, kente cloth has become a symbol of pride in the United States of pride in African heritage. Extending that connection, in the United States kente cloth designs have been used as a symbol of African American cultural expressions, including Black Gospel music.

This post presents two African American and two American multi-racial Gospel choirs who wear kente cloth stoles, clothing ornamentation, or sashes. Information about each of these choirs is included in this post.

Click these links for three other posts in this series about contemporary customs of wearing kente cloth:
http://pancocojams.blogspot.com/2014/02/african-day-worship-services-in-african.html

and
http://pancocojams.blogspot.com/2014/02/kente-dances-parties-worldwide.html

The content of this post is presented for cultural, religious, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the choirs and the publishers of these videos on YouTube.

****
FEATURED EXAMPLES
These examples are posted in chronological order, with the oldest dated examples presented first.

Example #1: How Excellent - TEGC at Raise the Roof



sundaysatsevenUploaded on Jul 25, 2008

Raise the Roof Benefit Concert July 20th 2008 - Total Experience Gospel Choir: 2nd Set, song #2
-snip-
"Pastor Patrinell Staten Wright started [The Total Experience Gospel Choir] as a gospel music class at Seattle's Franklin High School in 1973. Since then the choir has grown to become a nationally and internationally known gospel singing group. http://www.totalexperiencegospelchoir.org

****
Example #2: Sounds Of Blackness - I Believe



jackyabody0091, Uploaded on Aug 26, 2009
early90's
-snip-
"Sounds of Blackness is a Grammy Award-winning vocal and instrumental ensemble from Minneapolis/St. Paul, Minnesota who perform music from several genres music including gospel, R&B, soul, and jazz. The group scored several hits on the Billboard R&B chart and Billboard Hot Dance Music/Club Play chart in the 1990s." http://en.wikipedia.org/wiki/Sounds_of_Blackness

****
Example #3: The Harlem Gospel Choir



EastCoastEntertains, Uploaded on Mar 11, 2010

...The world famous HARLEM GOSPEL CHOIR brings you an extraordinary evening of foot-stomping and hand clapping blues, jazz and gospel spirituals. From the heart of Harlem in New York City, the HARLEM GOSPEL CHOIR travels the world as the ambassadors for African American culture and is loved for its joyous music.
-snip-
"[The Harlem Gospel Choir] was founded on Martin Luther King, Jr.'s birthday, 1986 (January 15, 1986) by Allen Bailey." http://en.wikipedia.org/wiki/Harlem_Gospel_Choir

****
Example #4: Lavender Light Gospel Choir 02-20-2011 Marble Collegiate Chu



Albert Wilcox, Uploaded on Feb 21, 2011
-snip-
"Lavender Light Gospel Choir is New York City’s LGBT chorus dedicated to the black gospel music tradition. The choir is mixed male and female, and though many different ethnicities and spiritualities are encompassed within it, its focus and primary ministry are black lesbians and gays.

Founded in 1985, Lavender Light has a repertoire that includes old and new gospel, spirituals, and anthems. Members of Lavender Light convene weekly for practices, and two full concerts are produced per year. The choir also makes frequent guest appearances at community functions, running the gamut from church services to Gay Pride rallies.

As a reminder of their connection and indebtedness to Africa, Lavender Light’s members wear sashes of Kente cloth, an ancient textile first created by the Ashanti people of West Africa. Kente has long been a royal fabric, and today it is the national cloth of Ghana. The color lavender was chosen for its association with gayness, a special blending of the female pink and the male blue."
http://manhattan.about.com/od/glbtscene/a/lavender-light-gay-gospel-choir.htm

****
RELATED LINKS
Click http://www.youtube.com/watch?v=rffwcLVm93w "Old School Church 01: A Theology of African American Worship" to find a video of a sermon given by an African American minister whose robe is decorated with kente cloth. African American ministers often wear such robes and even more frequently wear kente cloth stoles over their robes.

****
Click http://www.kentecloth.net/kente-cloth-designs-and-meanings/ to find examples of kente cloth designs and their meanings.

****
Click http://africa.si.edu/exhibits/kente/strips.htm for pages on the museum exhibition "Wrapped In Pride"

****
Thank you for visiting pancocojams.

Visitor comments are welcome.

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Posted in African American Gospel music, kente cloth | No comments

"African Day" Worship Services In African American Churches

Posted on 04:15 by mukhiya
Edited by Azizi Powell

This post presents information about and video examples of African Day services in certain African American churches.

Click these links for three other posts in this series about contemporary customs of wearing kente cloth:
http://pancocojams.blogspot.com/2014/02/kente-cloth-worn-by-american-gospel.html

and

http://pancocojams.blogspot.com/2014/02/kente-dances-parties-worldwide.html

The content of this post is provided for historical, cultural, religious, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the churches that are showcased in this post. Thanks also to the publishers of these YouTube examples.

****
INFORMATION ABOUT "AFRICAN DAY" IN AFRICAN AMERICAN CHURCHES
"African Day" is a Sunday morning worship service in certain African American churches.* On "African Day" the pastors, other church officials, choir, and members of the congregation are encouraged to wear African clothing**. This special Sunday morning church service appears to be almost always held one Sunday during Black History Month (February, in the United States). But, to my knowledge, there’s no specific Sunday in February that is common among all churches that have this custom.

The purpose of "African Day" is to celebrate the congregations' African heritage.

The only feature of "African Day" that I've experienced or read about that is common to "African Day" Sunday morning church services is that all members of the church (including the pastors, church officials, and choir) are encouraged to wear traditional African clothing or African inspired clothing. It doesn't appear that any African related singing, dancing***, poetry reading, or sermons are held during this "African Day" service. "African Day", as it is described in this post, is different from "Black History" church programs which may be held during a Sunday afternoon or on another day or evening of the week. In contrast to "African Day" services that I'm familiar with, African dancing, if not other African themed "entertainment", may occur during those Black History church programs.

It's my sense that the custom of African American churches designating one Sunday worship service as "African Day" began in the 1990s. However, this custom may have begun as early as the mid 1970s. While "African Day" doesn't appear to be a widespread custom in African American churches, I think that custom is growing. And it appears to me that more people are wearing "real" traditional African clothing during African Day church services now then they did when those services first started. That is because of the increased availability in the United States (albeit at specialty stores) of traditional West African clothing. Some of these stores are owned and operated by persons from Nigeria or other West African nations.

*I've experienced African Day in Baptist churches in New Jersey and Pennsylvania. And I've have read online comments about "African Day" being held in African American Seventh Day Adventist churches. Also, one of the videos below showcases a United Church Of Christ worship service which I believe is during "African Day". It's probable that African Day services are also held in other African American denominations.

**It appears to me that the "African clothing" is usually African inspired (such as long dresses for women made out of Ghanaian or Ivory Coast [imitation] kente cloth or Malian mudcloth and dashikis for the men). However, some people wear traditional West African clothing particularly in Senegalese styles or (Yoruba) Nigerian styles (such as agbadas) for the men.

It's important to note that usually African Day is the only church service of the year in which many members (or even a few members) of the church congregation (including pastors, choir, etc) wear African (or "African-like") clothing, including head wraps (geles) or dashikis. This doesn't include the kente cloth material that may adorn some pastor's robes and choir member's robes or the kente cloth stoles that some African American pastors and choir members wear over their robes.

*** Many African American churches frown on dancing(other than the Holy Dance) at any time, but particularly in the church sanctuary.

****
FEATURED EXAMPLES
These examples are posted in chronological order, with the oldest dated examples presented first.

Example #1 is the only the videos which describes the service as part of "African Day". However, I believe that those services shown in the video were held during "African Day" based on my experience that it is very rare for "African clothing" to be worn during Sunday morning worship services in African American churches at any time other than Sunday services designated as "African Day".

Example #1: African Day At Church



Alysia Boles, Uploaded on May 8, 2009

we had african day @church in 2007 for black history month
snip-
If I'm not mistaken, the songs that are sung are "When I Rose This Morning"/“Victory Is Mine” and "In The Name Of Jesus".

Notice that only a few members of this congregation wear African clothing. A woman in the beginning of the second row from the front wears a kente cloth dress. The woman seated next to her is wearing an African inspired dress and hat. The little boy shown in the video appears to be wearing a dashiki, and the man in the front is wearing a knitted hat in the red, gold and green pan-African colors which, broadly speaking, can be considered "African attire". It appears that the man who he is shaking hands with is also wearing an African dashiki. This is probably during the offering portion of that church service (when money is collected from the congregation for church expenses and for missionary work.)

****
Example #2: Union Baptist Church Gospel Choir Singing "Rock of Ages" 02.22.09-11A.M.



BaptistBoi, Uploaded on Feb 24, 2009 [Virginia Beach, VA]
-snip-
Notice that although people are encouraged to wear "African clothes" during "African Day", they aren't required to do so, and (probably aside for the choir members) aren't frowned upon if they just wear "regular" American clothing.

Notice that it appears that a woman in the choir is wearing a dashiki as a top. Although dashilis were created by three African American men in the 1970s from the dansiki (pronounced "danSHE-kee), an Nigerian (Yoruba) male shirt. These men marketed dashikis to men, but early one and to date, some females in the United States also wore (and wear) dashikis.

Click http://pancocojams.blogspot.com/2012/02/dashikis-adaptation-of-yoruba-dansiki.html for a post on the history of dashikis.

****
Example #3: Trinity United Church of Christ - Oh Ship of Zion/We're Marching Up to Zion



misaac78, Published on Oct 23, 2012

Trinity United Church of Christ -Oh Ship of Zion/We're Marching Up to Zion
Feb 6, 2011
-snip-
Notice that this service was held during the month of February which is designated as Black History month in the United States.

****
RELATED LINK
Click https://www.facebook.com/pages/Kansas-Avenue-SDA-Church/115028881855430 for an "African Day" photograph of an African American Seven Day Adventist congregation.

****
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Visitor comments are welcome.
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Posted in African American church services, African American culture, African American Gospel, dashikis, kente cloth | No comments

Sunday, 9 February 2014

Wearing Kente Cloth Stoles During Graduation Ceremonies

Posted on 17:07 by mukhiya
Edited by Azizi Powell

This post provides information and examples of the African American custom of graduates wearing a kente cloth stole over their robes during graduation ceremonies.

Click these links for three other posts in this series about contemporary customs of wearing kente cloth:
http://pancocojams.blogspot.com/2014/02/african-day-worship-services-in-african.html

http://pancocojams.blogspot.com/2014/02/kente-cloth-worn-by-american-gospel.html

and
http://pancocojams.blogspot.com/2014/02/kente-dances-parties-worldwide.html

The content of this post is presented for folkloric, historical, cultural, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to all those who are featured in these videos and to the publishers of these videos on YouTube. Thanks also to all those who are quoted in this post.


****
BACKGROUND
Since at least the 1980s, many African American graduates -particularly university graduates- wear a kente cloth stole over their graduation robes. The kente cloth stole represents the graduates' pride in their African heritage, and their pride in their accomplishment of graduating. If they are members of a historically Black Greek lettered fraternity or sorority, the stole will be in the two colors of their organization.

Here are excerpts from two articles about this custom:
From http://articles.latimes.com/1991-10-27/news/vw-1049_1_kente-cloth
'Everybody Wants a Piece of Africa Now' : Culture: Kente, a cloth rich in color and tradition, weaves its way into wardrobes of African-Americans. 'It makes me feel stronger,' one wearer says.

October 27, 1991|DONNETTE DUNBAR | TIMES STAFF WRITER
"You might have seen it as a bright accessory donned by Spike Lee, Bill Cosby, Arsenio Hall or Jesse Jackson. Or you may have seen someone wearing it on the street, at a party, in church, at college graduation: in a bow tie, a cummerbund, a scarf, a skirt--even in shoes.

No matter who is wearing it--no matter what the garment--kente cloth is one of the most striking images to emerge from the growing Afrocentric movement. The brilliantly colored material that originated in Ghana and started to crop up in the United States in the late 1980s is appearing with greater frequency in urban areas…

Tightly woven on narrow looms with colorful threads, kente originated centuries ago in Ghana with the Ashantis, who still wear it, toga-style, during royal and religious ceremonies. (Kente means "basket.")...

"It's part of a larger movement, a new generation that has discovered an appreciation of African culture--its music and art," says Abena Busia, an associate English professor at Rutgers University in New Jersey, who was born in Ghana. Much of the cloth is made in red, green and gold, colors that came out of the Pan African movement in the 1950s.

Many high school and college students wear strips of kente around their necks during graduation ceremonies. At prominent black colleges such as Howard University in Washington, D.C., and Morehouse, Hampton and Spellman in Atlanta, kente--in the form of scarves, hats and book bags--has become commonplace.

Cal State Northridge students have been wearing the cloth sporadically since the early '70s, says Margaret J. Brown, 53, coordinator of the university's black graduation ceremonies. She says wearing kente stoles at graduation has become a tradition.

Kente is making an appearance at Sunday church services too. Walk into the First African Methodist Episcopal Church and you will see kente stoles draped on the shoulders of its ministers.”...

****
From http://www.virginia.edu/oaaa/cult_events.html
Annual Donning of the Kente
Graduation Ceremony
"The origins of Kente cloth date back to 12th century Africa, in the country of Ghana. The cloth was worn by Kings, Queens, and important figures of state in Ghanaian society, during ceremonial events and special occasions. In a total cultural context, Kente is more important than just a cloth. It is a visual representation of history, philosophy, ethics, oral literature, moral values, social code of conduct, religious beliefs, political thought, and aesthetic principles. Today as African-Americans wear Kente cloth, they do so for inspiration, to honor, to celebrate, to connect, and to reflect on our collective heritage and communal struggles and successes.

The first "Donning of the Kente Ceremony" was held at Virginia Tech on the eve of spring commencement in 1995, as an African-American celebration of achievement sponsored by Virginia Tech's Black Organizations Council. Ronald Giddings was the founder of the "Donning of the Kente Ceremony" at Virginia Tech. It is a unique way to honor and recognize African-American graduates"...
-snip-
Particularly on the high school level, there has been administrative opposition to Black students in the United States wearing kente cloth stoles during their graduation ceremonies. For news articles about this opposition, click
http://articles.chicagotribune.com/2000-05-21/news/0005210297_1_stoles-graduation-african-american and http://www.ghanaweb.com/GhanaHomePage/NewsArchive/artikel.php?ID=3953

Some community, churches, student organizations (including historically Black Greek lettered fraternities and sororities) sponsor annual African American ceremonies for graduates. These ceremonies aren't meant to take the place of the students' official commencement ceremony. Most graduates who choose to participate in those ceremonies wear a kente cloth stole over their graduation robe.

****
FEATURED VIDEOS
These examples are presented in chronological order, with the oldest dated examples given first.

Example #1: Syracuse University 2011 BLACK GRADUATION



Eeshe White, Uploaded on May 15, 2011

****
Example #2: J.P. @ the Univ. of Washington Black Graduation Ceremony



DJJPGUNNz, Uploaded on Jun 14, 2011

What a night of jubilation, creativity & music. Of course, my son tries to steal the show as he places the ceremonial Kente Cloth around my neck. (Why did I give him permission to do it? God, what a ham!) My mom was very proud that night. My wife, Victoria, was a trooper throughout this whole journey.
-snip-
I don’t believe that there is a widespread custom of placing a ceremonial kente cloth around the neck of a graduating student at the commencement program. It's my experience that the students either purchase their stole themselves or someone purchases it for them and gives it to them to wear prior to the beginning of the graduation program.

****
Example #3: Fresno County 2012 African American Graduation



LeachMedia Published on May 23, 2012

2012 Fresno County African American Graduation ceremony held at Fresno Memorial Auditorium. Hosted by San Joaquin Chapter of Delta Sigma Theta Sorority Inc.
-snip-
[Fresno County California] This appears to me to be a celebration for pre-university age students apart from their actual graduation ceremony.

****
Example #4: After UW's Black Graduation Ceremony..."Eleleleleleelel"



thabeacon206ickness, Published on Jun 11, 2012
-snip-
"UW" is probably "University of Wisconsin–Madison".

This video appears to be of graduating students of Ethiopian descent dancing and celebrating with other Ethiopians. As such, this video suggests that wearing a kente cloth stole has become a custom that has been adopted by other Black students in the United States, and not just by African American Students. Notice there is no difference between the colors and designs of these students and those of many of the Black students in the other videos featured in this post. The crimson and cream colored stoles may indicate that these females are members of the historically Black Greek lettered sorority Delta Sigma Theta, Inc. or wearing stoles with those two colors may have an entirely different significance for these female graduates. On second thought, if the crimson and cream colors were paraphernalia for Delta Sigma Theta sorority they would have the initials DST, and it doesn't appear that those stoles have those initials.

I wonder if the custom of wearing a kente cloth stole during graduation is also practiced in other African or African Diaspora cultures outside of the United States. For instance, do graduates in the Ivory Coast and Ghana wear kente cloth wraps or stoles during their graduation ceremonies?

****
Example #5: 2012 UCLA African American Student Graduation Procession



jwnealy3 Published on Jun 17, 2012
The beginning of the African American graduation ceremony, lead by traditional African dancers.
-snip-
This is probably an optional ceremony that African American graduates might participate in apart from their official graduation ceremony.

****
Thank you for visiting pancocojams.

Visitor comments are welcome.

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Posted in African American traditions, African fabric, Delta Sigma Theta, Ethiopian culture, kente cloth | No comments
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  • Bomba
  • book reviews
  • Booker White
  • bougarabou
  • Brass Bands
  • Brazilian history
  • Brazilian music and dance
  • break dancing
  • Brenda Fassie
  • Bring It On movies
  • British Music Hall songs
  • British Rock And Roll
  • British slang
  • British television shows
  • Broadway shows
  • buck and wing dances
  • Buckeye Jim
  • bucking
  • Burkini Faso
  • butter and margarine
  • Cab Calloway
  • call & response chants
  • call and response chants
  • Calypso
  • Cameroon Gospel music
  • Cameroon music and dance
  • Cameroonian music
  • camp songs
  • Candomble
  • Cape Verde
  • Capo Verdes
  • Capoeira
  • Caribbean culture
  • Caribbean folk songs
  • Caribbean music & dance
  • Caribbean music and dance
  • Caribbean cheerleading
  • Caribbean children's singing games
  • Caribbean Christmas
  • Caribbean Christmas songs
  • Caribbean church services
  • Caribbean creole and patois
  • Caribbean culture
  • Caribbean folk songs
  • Caribbean Gospel
  • Caribbean hairstyles
  • Caribbean history
  • Caribbean music
  • Caribbean music & dance
  • Caribbean music and dance
  • Caribbean patois
  • Caribbean shanties
  • Carriacou Big Drum
  • Carriacou Big Drum Songs and Dances
  • Carribbean Patois
  • Carricaou
  • Celicia Marfo
  • Cesaria Evora
  • Chaka Demus
  • chanteys
  • chanties
  • Chi Chi Bud Riddim
  • children rhymes and games
  • children's rhymes and cheers
  • children's rhymes and singing games
  • children's camp songs
  • children's chants and cheers
  • children's cheerleader cheers
  • children's game songs and movement rhymes
  • children's rhyme
  • children's rhymes
  • children's rhymes & cheers. cumulative songs and rhymes. Miss Lucy Had A Baby
  • Children's rhymes and cheers
  • children's rhymes and cheers; sources of rhymes and cheers
  • children's rhymes and cheers. rhymes about police officers
  • children's singing games
  • children's singing games. chanteys
  • children's songs
  • children's songs about police
  • children's vocal groups
  • Chimurenga songs
  • choir directing styles
  • Christian hymn
  • Christian Hymns
  • Christian religion
  • Christmas songs
  • church hymns
  • Chutney music
  • Chutney Soca
  • Chutney Soca music
  • civil rights
  • Civil Rights leaders
  • civil rights movement
  • Civil War Songs
  • claves
  • Clifton Chenier
  • Club music
  • cocojams
  • cocojams2
  • code switching
  • COGIC
  • Colombian music and dance
  • Columbian music and dance
  • comedic Blues
  • command compliance cheers
  • commercials
  • Congolese dance music
  • Congolese Gospel music
  • Congolese language
  • Congolese music
  • Congolese Rumba music
  • contemporary children's songs
  • contemporary protest songs
  • coon
  • coon songs
  • corn songs
  • Cote D'Ivoire music and dance
  • Cotton Club
  • counting out rhymes
  • Country music
  • cross cutting songs
  • Cuban music
  • Cuban music and dancing
  • cultural appropriation
  • cut the rug
  • cutting the rug
  • dance instruction songs
  • dance moves
  • dance stands
  • Dancehall
  • Dancehall reggae
  • Dancehall reggae dances
  • Dancing Dolls Bring It show
  • dancing with objects on head
  • Darktown
  • dashikis
  • Delta Sigma Theta
  • Democratic Republic of the Congo
  • Democratic Republic of the Congo culture
  • Dennis Brown
  • Destined Kids
  • diddley bow musical instrument
  • dig a hole to put the devil in
  • Dimension Costena
  • Dinizulu archives
  • disabilites and physical conditions
  • Disco music
  • Dominica
  • doo wop music
  • Doo Wop music
  • down by the banks of the hanky panky
  • down down baby
  • drag culture
  • drill teams
  • drum and bugle corps
  • drum majors
  • Dub music
  • dub poetry
  • Dub Reggae
  • early African American recordings
  • early Rock and Roll
  • early twentieth century African American dances
  • Ebola
  • Ecuadorian music and dance
  • Ella Fitzgerald
  • Emmy Kosgei
  • Esperanza Spalding
  • Ethiopia
  • Ethiopian culture
  • Etta James
  • etymology
  • Fathers Day Songs
  • Fats Waller
  • Fela Kuti
  • Fela Sowande
  • female circumcision
  • Festejos
  • FIFA World Cup
  • Five Blind Boys Of Alabama African American Spirituals
  • Flag colors
  • Folk beliefs and superstitions
  • Folk song
  • Folk songs
  • follow the leader song
  • foot stomping cheers
  • fraternities and sororities
  • fraternity and sorority stepping
  • French carol
  • Fulani
  • Fulani hairstyles
  • Fulani poems
  • Funk music
  • Gabriel Prosser
  • Gambia music and dance
  • Gay Culture
  • Gay Culture. African American Vernacular English
  • Georgia Rag
  • Ghana culture
  • Ghana Wedding
  • Ghanaian culture
  • Ghanaian Gospel
  • Ghanaian music and dance
  • Gombey costume traditions
  • Gospel Brass Bands
  • Gospel music
  • Gospel Quartet
  • gospelized hymns
  • gospelized Spirituals
  • Greek gods and goddesses
  • Grenada proverbs
  • Griots
  • Guadeloupe music and culture
  • Guinea-Bissau carnival
  • Guinea-Bissau music
  • Guinea-Bissau music and dance
  • Gullah culture
  • Gumbe music
  • gumboot dances
  • Gwo Ka
  • Haitian carnival
  • Haitian Creole
  • Haitian dance
  • Haitian music
  • Hambone
  • hand clap rhymes
  • Harlem Renaissance
  • HBCU dance lines
  • Highlife music
  • Hip Hop
  • Hip Hop music
  • Hip Hop music and dance
  • Hip-Hop
  • Hip-Hop music
  • Hiplife
  • Historically Black colleges and universities' marching bands
  • hold my mule
  • Holiday songs
  • Holidays
  • House music
  • Howlin Wolf
  • I have been walking for Jesus a long time.
  • I'm Bound For Mt.Zion
  • Igbo ethnic group
  • Indonesian songs
  • inspirational songs
  • inspirational tunes
  • Internet lingo
  • Internet memes
  • Irish children's rhymes and songs
  • it's tight like that
  • Ivory Coast culture
  • Jack of Diamond
  • Jamaica music and dance
  • Jamaican culture
  • Jamaican culture. children's songs
  • Jamaican diggins song
  • Jamaican folk music
  • Jamaican Gospel
  • Jamaican Maroon history
  • Jamaican music
  • Jamaican music and culture
  • Jamaican music and culture Reggae
  • Jamaican music and dance
  • Jamaican Patois
  • Jamaican patroitic song
  • James Brown
  • Jamoo music
  • Jazz
  • Jazz dancing
  • jerk
  • Jessye Norman
  • Jesus Savior Pilot Me
  • Jim Along Josie
  • Jimmy Castor
  • Jimmy Cliff
  • jive
  • Jive talk
  • jodies
  • Joe Simons
  • John Canoe
  • John Crow
  • John Crow Skank dance
  • Johnny Booker
  • johnny cake
  • Jola
  • Jonkanoo
  • Josh White
  • Joyous Celebration
  • juke
  • juke music and dance
  • jukin
  • jumbies
  • Jump Blues
  • Jump Jim Crow
  • kabiosi
  • Kalenjin language
  • Kathleen Battle
  • kente cloth
  • Kenyan Gospel music
  • Kenyan music and dance
  • kiss teeth
  • Kromanti language
  • Kumina
  • kunering
  • Kurtis Blow
  • Kush
  • kwaito
  • Kwaito music
  • Kwanzaa
  • kwassa kwassa
  • Langston Hughes
  • Latin dancing
  • Latin Jazz
  • Lead Belly
  • Leon Thomas
  • Lesotho music
  • Liberia
  • Liberian Folk Song
  • Liberian proverb
  • Limber Jim
  • line dancing
  • Little Sally Walker
  • Liza Jane
  • Lord Invader
  • Lord Kitchener
  • Lucumi
  • Luo
  • Luyha music and dance
  • majorettes
  • Malawi Gospel
  • Malawian music and dance
  • Mali music and dance
  • Malian music and dance
  • Mama Djambo spirit
  • Mama Mama Can't You See
  • Mardi Grad Indian costume traditions
  • Mardi Gras Indian song
  • Marimba music
  • Maroons
  • marriage equality
  • masquerades
  • Mauritius
  • Mauritius music and dance
  • May Pole festivals
  • Maya Angelou
  • mayaya lasinki
  • Maypole festival
  • Mbalax music
  • Melanesia
  • Mento
  • Mento music
  • Michael Jackson
  • military cadences
  • military cadences with the word layo
  • military devil dogs
  • minstrel songs
  • Minstrelsy
  • Miss Susie Had A Steamboat
  • Miss Suzy Had A Steamboat
  • monologues
  • Morna music
  • Mozambique music and dance
  • Muhammad Ali
  • My favorite pancocojams blog posts
  • My favorite pancocojams posts
  • Names and name meanings
  • names and nicknames
  • Namibian music and dance
  • nce
  • ndombolo
  • Negro dialect
  • Negro Folk Rhymes
  • Nelson Mandela
  • New Orleans culture
  • New Orleans Jazz
  • New Orleans Mardi Gras Indians
  • Nicaraguan music and dance
  • Niger
  • Nigeria culture
  • Nigerian clothing
  • Nigerian Creole
  • Nigerian culture
  • Nigerian Gospel music
  • Nigerian music
  • Nigerian music and dance
  • Nigerian pidgin English
  • Nigerian religious music
  • Nina Simone
  • North Carolina Moral Monday
  • noteworthy Pancocojams text posts
  • novelty song
  • Nyabinghi Drumming
  • Nyahbinghi
  • Odetta
  • Olatunji
  • old school dances
  • old time music
  • old time music song
  • Old Time Music songs
  • old time song
  • Olodum
  • Omega Psi Phi Fraternity
  • One more river to cross
  • one stringed fiddle
  • Oral Literature In Africa
  • Osun
  • Owu-Aru-Sun Festival
  • Pacific Island music and dance
  • Palmares
  • Palo de Mayo
  • Pan African Orchestra
  • Pan-African Flags
  • pancocojams blog meta
  • pancocojams traffic searches
  • pantsula dance
  • pantsula dancing
  • Parang music
  • parenting customs
  • parodies
  • Paul Robeson
  • Paul Robinson
  • Pentecostal
  • Peter Tosh
  • Pharoah Sanders
  • pick up lines
  • pigeon wing
  • play party song
  • play party songs
  • poetry
  • political song
  • politics
  • Pop
  • pop and locking
  • Pop-Rap music
  • popular culture
  • Portugal
  • praise brea
  • praise breaks
  • praise poetry
  • praise singers
  • protest chants
  • protest song
  • protest songs
  • Putting On The Black
  • quadrille
  • quadrille music and dance
  • Quelbe music
  • race and racism
  • racial stereotypes
  • racialized versions of children's rhymes
  • Rags
  • Ragtime music
  • rake and scrap music
  • Ras Shorty I
  • Rastafarian culture
  • Rastafarian culture/words
  • Ray Charles
  • Reggae
  • Reggae music
  • religious music
  • Rev James Cleveland
  • Rev. Charles H. Nicks
  • rhyme sources
  • rhymes about violence
  • Rhythm and Blues
  • Rhythm and Blues and Hip Hop dances
  • ring shout
  • Road march song
  • Roaring Lion
  • Roberta Martin
  • Rock 'n' Roll
  • Roots Reggae
  • Rosa Parks
  • roustabouts
  • rumba
  • RuPaul's Drag Race
  • Rythmn and Blues
  • Salsa
  • Samba
  • sambo
  • Santeria
  • saxophone instrument with traditional African music
  • Scat singing
  • scatting
  • sea shanties
  • Sega music
  • Senegal
  • Senegal history
  • Senegal music and dance
  • Senegal music and dance.
  • Senegalese history and religion
  • Senegalese music and dance
  • Senegalese myths and history
  • Senegalese myths and religion
  • Senegalese names
  • shake sugaree
  • shakin my head gesture
  • shanties
  • shave and a hair cut
  • Shelton Brooks
  • Shim Sham Shimmy
  • Shirley Caesar
  • shortnin bread
  • shout
  • Shouting John
  • show me your motion games
  • side eye
  • Sisiva
  • Ska
  • Ska music
  • skanking
  • slang origins
  • smh
  • Soca
  • Soca music
  • soccer chants
  • Soloman Islands
  • Solomon Island
  • Somalian songs
  • son (music)
  • songs about chicken
  • songs about hunger
  • songs about infectious diseases
  • songs about justice
  • songs about mother-in- laws
  • songs about Noah
  • songs from American movies
  • songs from movies
  • sookie jumps
  • soukous
  • Soukous music
  • soul food
  • soul music
  • Soul train
  • soundies
  • South Africa
  • South Africa music and dance
  • South African culture
  • South African Gospel
  • South African Gospel music
  • South African history and culture
  • South African music
  • South African music and dance
  • South African spoken word
  • South American music and culture
  • South American music and dance
  • South Sudan
  • South Sudan music and dance
  • South Sudanese culture
  • South Sudanese music and dance
  • Southern African music and dance
  • Southern Soul Blues
  • spankngs
  • Spirituals
  • Spirituals about Gabriel's Trumpet
  • spoken word
  • spoken word poetry
  • sports events
  • sports songs
  • spraying money
  • step shows
  • Steppin
  • Stomp and shake cheerleading
  • stomp cheers
  • stomping the devil in his head
  • stratch music
  • street dances
  • street vendor calls
  • struggle songs
  • Strut
  • such is life songs
  • suck teeth
  • Sudanese Gospel song
  • Sudanese music and dance
  • sukey jumps
  • Surely I Will
  • Sweet Honey In The Rock
  • Tabu Ley
  • take a peach take a plum
  • tap dancing
  • Tassa drums
  • taunting rhymes
  • that's life songs
  • The Bahamas Jonkanoo
  • The Bahamas Jonkanoo parades
  • The Caravans
  • the dozens
  • The Gambia
  • the Lindy Hop
  • The Love Circle.
  • the Virginia Reel
  • the Wailers
  • Thomas Mapfumo
  • Thomas W Talley Negro Folk Rhymes
  • Thomas W. Talley
  • Thomas W. Talley Negro Folk Rhymes
  • throwing shade
  • Timne ethnic group
  • Tonga
  • topical song about current events
  • toyi toyi
  • traditional music instruments
  • traditonal music instruments
  • Trinidad & Tobago Music
  • Trinidad & Tobago proverbs
  • Trinidad and Tobago
  • Trinidad and Tobago music
  • Trinidad carnival
  • Truckin
  • Tulululu
  • twitter
  • Uganda
  • Uganda history
  • Uganda music and dance
  • Ugandan music and dance
  • Uncle Tom and Aunt Jemima
  • United States history
  • United States Virgin Islands
  • university fight songs
  • using parental terms as nicknames
  • vernacular referents
  • video games
  • vine videos
  • violence in children's rhymes
  • Virgin Island Jazz
  • Virgin Island music
  • Viviane Chidid Ndour
  • voguing
  • waacking
  • Wabash Rag
  • wearing hats in church
  • wedding songs
  • West Africa
  • West African history
  • wheel and turn
  • When Pebbles Was A Baby
  • whooping cough
  • whooping cougn
  • Willie Dixon songs
  • Wilson Pickett
  • word origin and meanings
  • Word origins and meanings
  • work songs
  • Yoruba culture
  • Yoruba language
  • Yoruba names
  • Yoruba orishas
  • Yoruba poetry
  • Yoruba religion
  • Yoruba religion; Santeria
  • YouTube user names
  • YouTube viewer comment threads
  • Zamacueca
  • Zambian Gospel music
  • Zambian music and dance
  • Zimbabwe music and dance
  • Zimbabwean Gospel music
  • Zimbabwean music
  • Zip Coon
  • zoot suit
  • Zydeco music

Blog Archive

  • ▼  2014 (437)
    • ▼  December (10)
      • Here are Ten Most Popular Pancocojams Posts That W...
      • Seven Trinidadian & Tobagan Parang & Soca Parang M...
      • List Of Noteworthy Pancocojams Text Posts (#3)
      • List Of Noteworthy Pancocojams Text Posts (#2)
      • List Of Noteworthy Pancocojams Text Posts (#1)
      • "Noel" by Todd Smith, Brad Holmes, arranger (video...
      • "Sing Noel" (African Noel) videos & lyrics
      • Four Examples Of The Liberian Folk Song "Banuwa"
      • From Freedom To Justice: Changes In African Americ...
      • Sweet Honey In The Rock- Ella’s Song: We Who Belie...
    • ►  November (18)
    • ►  October (34)
    • ►  September (39)
    • ►  August (32)
    • ►  July (53)
    • ►  June (39)
    • ►  May (33)
    • ►  April (30)
    • ►  March (44)
    • ►  February (50)
    • ►  January (55)
  • ►  2013 (63)
    • ►  December (37)
    • ►  November (26)
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mukhiya
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