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Showing posts with label Langston Hughes. Show all posts
Showing posts with label Langston Hughes. Show all posts

Friday, 14 March 2014

"I, Too, Am Harvard" Tumblr Blog & The Poem "I, Too, Sing America"

Posted on 18:27 by mukhiya
Edited by Azizi Powell

This post provides information about and a link to the Tumblr blog "I, Too, Am Harvard", This post also showcases the poem the Langston Hughes poem "I, Too, Sing America".

The content of this post is presented for cultural, sociological, motivational, and aesthetic purposes.

All content remain with their owners.

Thanks to the students of Harvard who created the Tumblr Blog and thanks to Langston Hughes who wrote the poem which served as inspiration for that blog's title & spirit. Thanks also to all those who are quoted in this post, and thanks to the publishers of the videos that are featured in this post.

****
INFORMATION ABOUT "I, TOO, AM HARVARD"
From http://news.yahoo.com/black-harvard-students-target-cliches-via-tumblr-blog-221129422.html
Washington (AFP) - Black students at Harvard University, appropriating a line from a celebrated African-American poet, are harnessing social media to challenge racial stereotypes -- and inspiring similar blogs across the Atlantic.

I, Too, Am Harvard is a Tumblr blog, viewed more than 235,000 times as of Thursday, in which 63 students reveal some of the more frustrating and condescending remarks they've encountered at the Ivy League school...

The blog coincides with an eponymous play based on interviews with black Harvard students that takes its title from "I, Too, Am America" by the late African-American poet Langston Hughes...

"Our voices often go unheard on this campus, our experiences are devalued, our presence is questioned," the blog states.

"This project is our way of speaking back, of claiming this campus, of standing up to say: We are here. This place is ours. We, TOO, are Harvard."

Just over 1,100 of Harvard's 21,000 students are African-American, according to its provost's office."...

****
LINK TO "I TOO AM HARVARD" TUMBLER: http://itooamharvard.tumblr.com/

[Summary Statement from that website]
"A photo campaign highlighting the faces and voices of black students at Harvard College. Our voices often go unheard on this campus, our experiences are devalued, our presence is questioned-- this project is our way of speaking back, of claiming this campus, of standing up to say: We are here. This place is ours. We, TOO, are Harvard. The #itooamharvard photo campaign is inspired by I, Too, Am Harvard, a play based on interviews with members of the black community exploring and affirming our diverse experiences as black students at Harvard College. The original play premieres on Friday March 7th, 2014 at 7 PM in Lowell Lecture Hall on the campus of Harvard College. facebook.com/itooamharvard @iTooAmHarvard #itooamharvard 253452"

****
INFORMATION ABOUT THE POEM "I, TOO, SING AMERICA"
From http://www.shmoop.com/i-too-sing-america/
[Langston] Hughes was often considered the poet laureate of the Harlem Renaissance. The Harlem Renaissance was a cultural explosion that took place in New York City during the 1920s and '30s, giving rise to popular jazz, all kinds of African-American art, and a whole slew of seminal (that means first, and really important) works of African-American literature and poetry. You probably already know some of Hughes's other poetry, like "Harlem" (also called "Dream Deferred") and "The Negro Speaks of Rivers."

Hughes published "I, Too, Sing America" in 1945, a good ten years or so before the start of the Civil Rights Movement in the United States. Racism and prejudice were rampant in the US at the beginning of the 20th century – much more than they are now – and so Hughes's poem envisions a day in which whites and blacks will eat "at the table" together, in which black citizens will be truly classified as equal Americans."

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FEATURED EXAMPLES

Example #1: Langston Hughes - I, Too



Impossible Paradise, Uploaded on Aug 8, 2010

Read by Langston Hughes.

Langston Hughes (1902 - 1967).

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
"Eat in the kitchen,"
Then.

Besides,
They'll see how beautiful we are
And be ashamed--

I, too, am America.

****
Example #2:
I Too Sing America By Langston Hughes: Visual Representation



William Sexton Uploaded on Mar 31, 2010

This is a project I made for my 9th Grade English class. It is a visual representation of Langston Hughes' "I, Too, Sing America." narrated by Denzel Washington.

****
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Friday, 28 February 2014

Langston Hughes - "A Dream Deferred" (information, words, & video examples)

Posted on 20:21 by mukhiya
Edited by Azizi Powell

This post showcases two YouTube examples of Langston Hughes' 1951 poem "A Dream Deferred". This post also includes information about Langston Hughes and his "Dream Deferred" montage which contains the poem that begins "What happens to a dream deferred". The complete words to that short poem are also included in this post.

The content of this post is presented for cultural, historical, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Langston Hughes for his creative legacies. Thanks also to all those who are quoted in this post and thanks to the publishers of these videos on YouTube.

****
INFORMATION ABOUT LANGSTON HUGHES
From http://en.wikipedia.org/wiki/Langston_Hughes
"James Mercer Langston Hughes (February 1, 1902 – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist. He was one of the earliest innovators of the then-new literary art form called jazz poetry. Hughes is best known as a leader of the Harlem Renaissance."...

****
From http://www.poets.org/poet.php/prmPID/83
..."[Langston] Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in his book-length poem Montage of a Dream Deferred (Holt, 1951). His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period—Claude McKay, Jean Toomer, and Countee Cullen—Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself."...

****
INFORMATION ABOUT LANGSTON HUGHES'S "MONTAGE OF A DREAM DEFERRED"
From http://en.wikipedia.org/wiki/Montage_of_a_Dream_Deferred
"Montage of a Dream Deferred is a book-length poem suite published by Langston Hughes in 1951. Its jazz poetry style focuses on descriptions of Harlem (a neighborhood of New York City) and its mostly African-American inhabitants.[1] The original edition was 75 pages long and comprised 91 individually titled poems, which were intended to be read as a single long poem.[2] Hughes' prefatory note for the book explained his intentions in writing the collection:

In terms of current Afro-American popular music and the sources from which it progressed— jazz, ragtime, swing, blues, boogie-woogie, and be-bop—this poem on contemporary Harlem, like be-bop, is marked by conflicting changes, sudden nuances, sharp and impudent interjections, broken rhythms, and passages sometimes in the manner of a jam session, sometimes the popular song, punctuated by the riffs, runs, breaks, and disc-tortions of the music of a community in transition.[3]

The primary motif of the poem is the "dream deferred", which represents the opposition between Harlem of the 1950s and the rest of the world.[4] Other motifs include boogie-woogie and discrimination against African-Americans. The poem is characterized by its use of the montage, a cinematic technique of quickly cutting from one scene to another in order to juxtapose disparate images, and its use of contemporary jazz modes like boogie-woogie, bop and bebop, both as subjects in the individual short poems and as a method of structuring and writing the poetry.[5] The poem is divided into five sections (although some editions contain six); each section represents a different time of day in Harlem, moving from dawn through the night to the dawn of the following day. The poem begins and ends with the same two lines: "Good morning, daddy! / Ain't you heard?".[5] Montage of a Dream Deferred was Langston Hughes' first major publication following the end of World War II.[5] Its themes include the subjugation of the black community, African-American racial consciousness and history, and the need for social change to resolve the injustices faced by the residents of Harlem."
-snip-
The short poem that begins "What happens to a dream deferred" is part of this montage.

****
WORDS TO THE POEM: DREAM DEFERRED (HARLEM)
By Langston Hughes

What happens to a dream deferred?

Does it dry up
like a raisin in the sun?
Or fester like a sore--
And then run?
Does it stink like rotten meat?
Or crust and sugar over--
like a syrupy sweet?

Maybe it just sags
like a heavy load.

Or does it explode?

Source: http://www.youtube.com/watch?v=79YjXKYeWCk

****
FEATURED EXAMPLES
Example #1: "Dream Deferred (Harlem)" Langston Hughes poem GREAT EXAMPLE of Harlem Renaissance literature

.

Tim Gracyk, Published on Jul 2, 2013

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Example #2: A Dream Deferred



Huntington Theatre Company, Published on Feb 13, 2013

What happens to a dream deferred? LeRoy McClain ("Walter Lee Younger" in the production) performs the classic poem by Langston Hughes. The Huntington's production of Lorraine Hansberry's timeless family story A RAISIN IN THE SUN, directed by Liesl Tommy, plays March 8 - April 7, 2013 at the Avenue of the Arts / BU Theatre.
-snip-
Click http://en.wikipedia.org/wiki/A_Raisin_in_the_Sun to read about the 1959 play A Raisin In The Sun

****
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Tuesday, 18 February 2014

"Freedom Road" poem by Langston Hughes as sung by Josh White

Posted on 01:33 by mukhiya
Edited by Azizi Powell

This post showcases a recording of Josh White's performance of the song "Freedom Road", a vocalization of Langston Hughes' 1944 poem of the same name. This post also includes the words to this poem/song, background information about that composition, as well as information about Langston Hughes and about Josh White.

The content of this post is presented for cultural, historical, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Langston Hughes and Josh White for their creative legacies. Thanks also to all those who are quoted in this post and thanks to the publisher of this sound file on YouTube.

****
INFORMATION ABOUT LANGSTON HUGHES
From http://en.wikipedia.org/wiki/Langston_Hughes
"James Mercer Langston Hughes (February 1, 1902 – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist. He was one of the earliest innovators of the then-new literary art form called jazz poetry. Hughes is best known as a leader of the Harlem Renaissance."...

****
From http://www.poets.org/poet.php/prmPID/83
..."[Langston] Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in his book-length poem Montage of a Dream Deferred (Holt, 1951). His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period—Claude McKay, Jean Toomer, and Countee Cullen—Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself."...

****
INFORMATION ABOUT JOSH WHITE
From http://en.wikipedia.org/wiki/Josh_White
Joshua Daniel White (February 11, 1914 – September 5, 1969), known as Josh White, was an American singer, guitarist, songwriter, actor, and civil rights activist...

White grew up in the Jim Crow South. During the 1920s and 1930s, he became a prominent race records artist, with a prolific output of recordings in genres including Piedmont blues, country blues, gospel, and social protest songs. In 1931, White moved to New York, and within a decade his fame had spread widely; his repertoire expanded to include urban blues, jazz, traditional folk songs, and political protest songs. He soon was in demand as an actor on radio, Broadway, and film.

White also became the closest African-American friend and confidant to president Franklin D. Roosevelt. However, White's anti-segregationist and international human rights political stance presented in many of his recordings and in his speeches at rallies resulted in the McCarthyites assuming him to be a Communist. Accordingly, from 1947 through the mid-1960s, White became caught up in the anti-Communist Red Scare, and combined with the resulting attempt to clear his name, his career was damaged.

White's musical style influenced many future generations of musical artists,[list of artists given]"...

****
INFORMATION ABOUT THE POEM/SONG "FREEDOM ROAD"
From https://chnm.gmu.edu/episodes/mobilizing-african-americans/ “That’s Why I’m Marching”: Mobilizing African Americans for War
"Many African Americans were understandably ambivalent about World War II. Black Americans who had committed themselves wholeheartedly to the “war for democracy” returned from World War I to find the Klan marching in Washington and segregation undiminished. Now the government asked them to risk their lives in a war against Nazi racism abroad, while in many parts of their own country American law forced them into separate and distinctly unequal facilities. Even the armed forces, within which African Americans were supposed to strike their blows for democracy, maintained strict segregation, with African Americans generally relegated to service and support jobs. Why should they fight to secure for foreigners’ rights that they could not enjoy at home?

..."African-American leaders constantly reminded their fellow citizens, and themselves, that this was their country too; they had shaped its history in profound ways. They walked a difficult line. Often patriotic, they nevertheless found America’s institutionalized and pervasive bigotry increasingly hard to endure. Langston Hughes, the distinguished poet and writer, hoped that African-American participation in a war against racism abroad might undermine racism at home. In 1944 he contributed the lyrics to the folksinger Josh White’s song “Freedom Road.” The lyrics call for an end to fascism and a new beginning of race-blind justice. White described it as “a rousing plea for true democracy.” Franklin Roosevelt considered Josh White, best known for his religious songs, his favorite singer; White’s brother Billy served as Eleanor Roosevelt’s chauffeur. The recording session for “Freedom Road” was sponsored by the CIO as part of a collection, Citizen CIO, aimed at building support for the war among union members and working-class Americans generally"...
-snip-
"CIO" = initials of the labor union "Congress of Industrial Organizations". In 1955 that labor union combined with The American Federation of Labor to form AFL-CIO, "a national trade union center, the largest federation of unions in the United States, made up of fifty-seven national and international unions,[3] together representing more than 11 million workers (as of June 2008, the most recent official statistic)." http://en.wikipedia.org/wiki/AFL%E2%80%93CIO

****
WORDS TO THE POEM/SONG "FREEDOM ROAD"
"Josh White, a singer most famous for religious songs and folk tunes, here joins with poet Langston Hughes in the song “Freedom Road,” in which he attempts to link the war abroad to the struggle for racial justice at home.

That’s why I’m marching, yes, I’m marching,
Marching down freedom’s road.
Ain’t nobody gonna stop me, nobody gonna keep me,
From marching down freedom’s road.

Hand me my gun, let the bugle blow loud,
I’m on my way with my head a-proud,
One objective I’ve got in view,
Is to keep a hold of freedom for me and you.

That’s why I’m marching, yes, I’m marching,
Marching down freedom’s road.
Ain’t nobody gonna stop me, nobody gonna keep me,
From marching down freedom’s road.

Ought to be plain as the nose on your face,
There’s room in this plan for every race,
Some folk think that freedom just ain’t right,
Those are the very people I want to fight.

That’s why I’m marching, yes, I’m marching,
Marching down freedom’s road.
Ain’t nobody gonna stop me, nobody gonna keep me,
From marching down freedom’s road.

Now, Hitler may rant, Hirohito may rave,
I’m going after freedom if it leads me to my grave.
That’s why I’m marching, yes, I’m marching,
I’m marching down freedom’s road.

United we stand, divided we fall,
Let’s make this land safe for one and all.
I’ve got a message, and you know it’s right,
Black and white together unite and fight.

That’s why I’m marching, yes, I’m marching,
Marching down freedom’s road.
Ain’t no fascists gonna stop me, no Nazis gonna keep me,
From marching down freedom’s road.

Words by Langston Hughes, music by Emerson Harper, “I’m Marching Down Freedom Road,” 1942. Recording: That’s Why We’re Marching: WWII and the American Folk Song Movement , Smithsonian/Folkways 1996."

Source: https://chnm.gmu.edu/episodes/mobilizing-african-americans/

****
FEATURED EXAMPLE: Freedom Road - Josh White



ABevs1, Published on Mar 24, 2012

****
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  • Darktown
  • dashikis
  • Delta Sigma Theta
  • Democratic Republic of the Congo
  • Democratic Republic of the Congo culture
  • Dennis Brown
  • Destined Kids
  • diddley bow musical instrument
  • dig a hole to put the devil in
  • Dimension Costena
  • Dinizulu archives
  • disabilites and physical conditions
  • Disco music
  • Dominica
  • doo wop music
  • Doo Wop music
  • down by the banks of the hanky panky
  • down down baby
  • drag culture
  • drill teams
  • drum and bugle corps
  • drum majors
  • Dub music
  • dub poetry
  • Dub Reggae
  • early African American recordings
  • early Rock and Roll
  • early twentieth century African American dances
  • Ebola
  • Ecuadorian music and dance
  • Ella Fitzgerald
  • Emmy Kosgei
  • Esperanza Spalding
  • Ethiopia
  • Ethiopian culture
  • Etta James
  • etymology
  • Fathers Day Songs
  • Fats Waller
  • Fela Kuti
  • Fela Sowande
  • female circumcision
  • Festejos
  • FIFA World Cup
  • Five Blind Boys Of Alabama African American Spirituals
  • Flag colors
  • Folk beliefs and superstitions
  • Folk song
  • Folk songs
  • follow the leader song
  • foot stomping cheers
  • fraternities and sororities
  • fraternity and sorority stepping
  • French carol
  • Fulani
  • Fulani hairstyles
  • Fulani poems
  • Funk music
  • Gabriel Prosser
  • Gambia music and dance
  • Gay Culture
  • Gay Culture. African American Vernacular English
  • Georgia Rag
  • Ghana culture
  • Ghana Wedding
  • Ghanaian culture
  • Ghanaian Gospel
  • Ghanaian music and dance
  • Gombey costume traditions
  • Gospel Brass Bands
  • Gospel music
  • Gospel Quartet
  • gospelized hymns
  • gospelized Spirituals
  • Greek gods and goddesses
  • Grenada proverbs
  • Griots
  • Guadeloupe music and culture
  • Guinea-Bissau carnival
  • Guinea-Bissau music
  • Guinea-Bissau music and dance
  • Gullah culture
  • Gumbe music
  • gumboot dances
  • Gwo Ka
  • Haitian carnival
  • Haitian Creole
  • Haitian dance
  • Haitian music
  • Hambone
  • hand clap rhymes
  • Harlem Renaissance
  • HBCU dance lines
  • Highlife music
  • Hip Hop
  • Hip Hop music
  • Hip Hop music and dance
  • Hip-Hop
  • Hip-Hop music
  • Hiplife
  • Historically Black colleges and universities' marching bands
  • hold my mule
  • Holiday songs
  • Holidays
  • House music
  • Howlin Wolf
  • I have been walking for Jesus a long time.
  • I'm Bound For Mt.Zion
  • Igbo ethnic group
  • Indonesian songs
  • inspirational songs
  • inspirational tunes
  • Internet lingo
  • Internet memes
  • Irish children's rhymes and songs
  • it's tight like that
  • Ivory Coast culture
  • Jack of Diamond
  • Jamaica music and dance
  • Jamaican culture
  • Jamaican culture. children's songs
  • Jamaican diggins song
  • Jamaican folk music
  • Jamaican Gospel
  • Jamaican Maroon history
  • Jamaican music
  • Jamaican music and culture
  • Jamaican music and culture Reggae
  • Jamaican music and dance
  • Jamaican Patois
  • Jamaican patroitic song
  • James Brown
  • Jamoo music
  • Jazz
  • Jazz dancing
  • jerk
  • Jessye Norman
  • Jesus Savior Pilot Me
  • Jim Along Josie
  • Jimmy Castor
  • Jimmy Cliff
  • jive
  • Jive talk
  • jodies
  • Joe Simons
  • John Canoe
  • John Crow
  • John Crow Skank dance
  • Johnny Booker
  • johnny cake
  • Jola
  • Jonkanoo
  • Josh White
  • Joyous Celebration
  • juke
  • juke music and dance
  • jukin
  • jumbies
  • Jump Blues
  • Jump Jim Crow
  • kabiosi
  • Kalenjin language
  • Kathleen Battle
  • kente cloth
  • Kenyan Gospel music
  • Kenyan music and dance
  • kiss teeth
  • Kromanti language
  • Kumina
  • kunering
  • Kurtis Blow
  • Kush
  • kwaito
  • Kwaito music
  • Kwanzaa
  • kwassa kwassa
  • Langston Hughes
  • Latin dancing
  • Latin Jazz
  • Lead Belly
  • Leon Thomas
  • Lesotho music
  • Liberia
  • Liberian Folk Song
  • Liberian proverb
  • Limber Jim
  • line dancing
  • Little Sally Walker
  • Liza Jane
  • Lord Invader
  • Lord Kitchener
  • Lucumi
  • Luo
  • Luyha music and dance
  • majorettes
  • Malawi Gospel
  • Malawian music and dance
  • Mali music and dance
  • Malian music and dance
  • Mama Djambo spirit
  • Mama Mama Can't You See
  • Mardi Grad Indian costume traditions
  • Mardi Gras Indian song
  • Marimba music
  • Maroons
  • marriage equality
  • masquerades
  • Mauritius
  • Mauritius music and dance
  • May Pole festivals
  • Maya Angelou
  • mayaya lasinki
  • Maypole festival
  • Mbalax music
  • Melanesia
  • Mento
  • Mento music
  • Michael Jackson
  • military cadences
  • military cadences with the word layo
  • military devil dogs
  • minstrel songs
  • Minstrelsy
  • Miss Susie Had A Steamboat
  • Miss Suzy Had A Steamboat
  • monologues
  • Morna music
  • Mozambique music and dance
  • Muhammad Ali
  • My favorite pancocojams blog posts
  • My favorite pancocojams posts
  • Names and name meanings
  • names and nicknames
  • Namibian music and dance
  • nce
  • ndombolo
  • Negro dialect
  • Negro Folk Rhymes
  • Nelson Mandela
  • New Orleans culture
  • New Orleans Jazz
  • New Orleans Mardi Gras Indians
  • Nicaraguan music and dance
  • Niger
  • Nigeria culture
  • Nigerian clothing
  • Nigerian Creole
  • Nigerian culture
  • Nigerian Gospel music
  • Nigerian music
  • Nigerian music and dance
  • Nigerian pidgin English
  • Nigerian religious music
  • Nina Simone
  • North Carolina Moral Monday
  • noteworthy Pancocojams text posts
  • novelty song
  • Nyabinghi Drumming
  • Nyahbinghi
  • Odetta
  • Olatunji
  • old school dances
  • old time music
  • old time music song
  • Old Time Music songs
  • old time song
  • Olodum
  • Omega Psi Phi Fraternity
  • One more river to cross
  • one stringed fiddle
  • Oral Literature In Africa
  • Osun
  • Owu-Aru-Sun Festival
  • Pacific Island music and dance
  • Palmares
  • Palo de Mayo
  • Pan African Orchestra
  • Pan-African Flags
  • pancocojams blog meta
  • pancocojams traffic searches
  • pantsula dance
  • pantsula dancing
  • Parang music
  • parenting customs
  • parodies
  • Paul Robeson
  • Paul Robinson
  • Pentecostal
  • Peter Tosh
  • Pharoah Sanders
  • pick up lines
  • pigeon wing
  • play party song
  • play party songs
  • poetry
  • political song
  • politics
  • Pop
  • pop and locking
  • Pop-Rap music
  • popular culture
  • Portugal
  • praise brea
  • praise breaks
  • praise poetry
  • praise singers
  • protest chants
  • protest song
  • protest songs
  • Putting On The Black
  • quadrille
  • quadrille music and dance
  • Quelbe music
  • race and racism
  • racial stereotypes
  • racialized versions of children's rhymes
  • Rags
  • Ragtime music
  • rake and scrap music
  • Ras Shorty I
  • Rastafarian culture
  • Rastafarian culture/words
  • Ray Charles
  • Reggae
  • Reggae music
  • religious music
  • Rev James Cleveland
  • Rev. Charles H. Nicks
  • rhyme sources
  • rhymes about violence
  • Rhythm and Blues
  • Rhythm and Blues and Hip Hop dances
  • ring shout
  • Road march song
  • Roaring Lion
  • Roberta Martin
  • Rock 'n' Roll
  • Roots Reggae
  • Rosa Parks
  • roustabouts
  • rumba
  • RuPaul's Drag Race
  • Rythmn and Blues
  • Salsa
  • Samba
  • sambo
  • Santeria
  • saxophone instrument with traditional African music
  • Scat singing
  • scatting
  • sea shanties
  • Sega music
  • Senegal
  • Senegal history
  • Senegal music and dance
  • Senegal music and dance.
  • Senegalese history and religion
  • Senegalese music and dance
  • Senegalese myths and history
  • Senegalese myths and religion
  • Senegalese names
  • shake sugaree
  • shakin my head gesture
  • shanties
  • shave and a hair cut
  • Shelton Brooks
  • Shim Sham Shimmy
  • Shirley Caesar
  • shortnin bread
  • shout
  • Shouting John
  • show me your motion games
  • side eye
  • Sisiva
  • Ska
  • Ska music
  • skanking
  • slang origins
  • smh
  • Soca
  • Soca music
  • soccer chants
  • Soloman Islands
  • Solomon Island
  • Somalian songs
  • son (music)
  • songs about chicken
  • songs about hunger
  • songs about infectious diseases
  • songs about justice
  • songs about mother-in- laws
  • songs about Noah
  • songs from American movies
  • songs from movies
  • sookie jumps
  • soukous
  • Soukous music
  • soul food
  • soul music
  • Soul train
  • soundies
  • South Africa
  • South Africa music and dance
  • South African culture
  • South African Gospel
  • South African Gospel music
  • South African history and culture
  • South African music
  • South African music and dance
  • South African spoken word
  • South American music and culture
  • South American music and dance
  • South Sudan
  • South Sudan music and dance
  • South Sudanese culture
  • South Sudanese music and dance
  • Southern African music and dance
  • Southern Soul Blues
  • spankngs
  • Spirituals
  • Spirituals about Gabriel's Trumpet
  • spoken word
  • spoken word poetry
  • sports events
  • sports songs
  • spraying money
  • step shows
  • Steppin
  • Stomp and shake cheerleading
  • stomp cheers
  • stomping the devil in his head
  • stratch music
  • street dances
  • street vendor calls
  • struggle songs
  • Strut
  • such is life songs
  • suck teeth
  • Sudanese Gospel song
  • Sudanese music and dance
  • sukey jumps
  • Surely I Will
  • Sweet Honey In The Rock
  • Tabu Ley
  • take a peach take a plum
  • tap dancing
  • Tassa drums
  • taunting rhymes
  • that's life songs
  • The Bahamas Jonkanoo
  • The Bahamas Jonkanoo parades
  • The Caravans
  • the dozens
  • The Gambia
  • the Lindy Hop
  • The Love Circle.
  • the Virginia Reel
  • the Wailers
  • Thomas Mapfumo
  • Thomas W Talley Negro Folk Rhymes
  • Thomas W. Talley
  • Thomas W. Talley Negro Folk Rhymes
  • throwing shade
  • Timne ethnic group
  • Tonga
  • topical song about current events
  • toyi toyi
  • traditional music instruments
  • traditonal music instruments
  • Trinidad & Tobago Music
  • Trinidad & Tobago proverbs
  • Trinidad and Tobago
  • Trinidad and Tobago music
  • Trinidad carnival
  • Truckin
  • Tulululu
  • twitter
  • Uganda
  • Uganda history
  • Uganda music and dance
  • Ugandan music and dance
  • Uncle Tom and Aunt Jemima
  • United States history
  • United States Virgin Islands
  • university fight songs
  • using parental terms as nicknames
  • vernacular referents
  • video games
  • vine videos
  • violence in children's rhymes
  • Virgin Island Jazz
  • Virgin Island music
  • Viviane Chidid Ndour
  • voguing
  • waacking
  • Wabash Rag
  • wearing hats in church
  • wedding songs
  • West Africa
  • West African history
  • wheel and turn
  • When Pebbles Was A Baby
  • whooping cough
  • whooping cougn
  • Willie Dixon songs
  • Wilson Pickett
  • word origin and meanings
  • Word origins and meanings
  • work songs
  • Yoruba culture
  • Yoruba language
  • Yoruba names
  • Yoruba orishas
  • Yoruba poetry
  • Yoruba religion
  • Yoruba religion; Santeria
  • YouTube user names
  • YouTube viewer comment threads
  • Zamacueca
  • Zambian Gospel music
  • Zambian music and dance
  • Zimbabwe music and dance
  • Zimbabwean Gospel music
  • Zimbabwean music
  • Zip Coon
  • zoot suit
  • Zydeco music

Blog Archive

  • ▼  2014 (437)
    • ▼  December (10)
      • Here are Ten Most Popular Pancocojams Posts That W...
      • Seven Trinidadian & Tobagan Parang & Soca Parang M...
      • List Of Noteworthy Pancocojams Text Posts (#3)
      • List Of Noteworthy Pancocojams Text Posts (#2)
      • List Of Noteworthy Pancocojams Text Posts (#1)
      • "Noel" by Todd Smith, Brad Holmes, arranger (video...
      • "Sing Noel" (African Noel) videos & lyrics
      • Four Examples Of The Liberian Folk Song "Banuwa"
      • From Freedom To Justice: Changes In African Americ...
      • Sweet Honey In The Rock- Ella’s Song: We Who Belie...
    • ►  November (18)
    • ►  October (34)
    • ►  September (39)
    • ►  August (32)
    • ►  July (53)
    • ►  June (39)
    • ►  May (33)
    • ►  April (30)
    • ►  March (44)
    • ►  February (50)
    • ►  January (55)
  • ►  2013 (63)
    • ►  December (37)
    • ►  November (26)
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mukhiya
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