"Miss Mary Mack" - Sources, Theories, Early Versions, & Other Comments

Edited by Azizi Powell

This post provides theories about the meaning of the "Mary Mack" ("Miss Mary Mack") rhyme/song as well as early examples of that rhyme or similar rhymes and my comments about "Miss Mary Mack" rhymes/songs. This post also includes a commonly found example of "Miss Mary Mack" and a delightful video of young children singing that song.

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All content remain with their owners.

Thanks to all those who are quoted in this post. Thanks also to the children featured in the video and thanks to the publisher of that video that is included in this post.

Click this link for a companion pancocojams post http://pancocojams.blogspot.com/2012/12/various-handclap-routines-for-miss-mary.html
"Various Handclap Routines For "Miss Mary Mack".

Also, visit this page of my cocojams.com cultural website for more text examples & videos of "Miss Mary Mack": http://www.cocojams.com/content/handclap-jump-rope-and-elastics-rhymes-2.

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A COMMONLY FOUND VERSION OF "MISS MARY MACK" [1950s Southern New Jersey and to date in Pittsburgh, Pennsylvania and elsewhere]

Miss Mary Mack Mack Mack
All dressed in black black black
With silver buttons buttons buttons
All down her back back back.

She asked her mother mother mother
For fifty* cents cents cents
To see the elephant elephant elephant
Jump over the fence fence fence

He jumped so high high high
He touched the sky sky sky
And he never came back back back
Till the fourth of July ly ly
-multiple sources, including my childhood memories of Atlantic City, New Jersey, 1950s

*I remember saying "fifteen cents" when I was a child, but most children now say "fifty cents". This is probably because the word "fifty" fits the rhyming pattern better than "fifteen".

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VIDEO OF "MISS MARY MACK" SONG
Miss. Mary Mack all dressed in black....



evealikenimel·Uploaded on Jun 16, 2011

Apresentacao no Nic na escola....2010-2011

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SOURCES OF AND THEORIES ABOUT THE MEANING OF "MARY MACK" RHYME
These theories are presented in no particular order.
1. The name of a Civil War ship
Mention of this theory includes:
http://en.wikipedia.org/wiki/Mary_Mack#Rhyme
"The name "Mary Mack" originally was Merrimac (an early ironclad that would have been black, with silver rivets) suggesting that the first verse refers to the Battle of Hampton Roads during the American Civil War."

2. A riddle whose answer is a coffin
Citations for this theory include:
a. http://books.google.com/books?id=tIvR3vDw3B8C&q=mary+mack#v=snippet&q=mary%20mack&f=false
"A coffin was:
Mary Mack all dressed in black
Silver buttons all down her back"
From the 1926 novel Rainbow Round My Shoulder: The Blue Trail of Black Ulysses. page 33 [That novel is part of a trilogy about a Black laborer, was written by Howard Washington Odum. Odum was a very prestigious Anglo-American sociologist, scholar, and folklorist who also edited the highly regarded 1925 book The Negro And His Songs].

b)Source: Robert A Georges and Alan Dundes, "Toward a Structural Definition of the Riddle" in The Journal of American Folklore, Vol. LXXVI, No. 300 (Apr 1963 (available online by JSTOR)), p. 114) as noted in http://www.fresnostate.edu/folklore/ballads/CNFM158B.html ; The Ballad Index Copyright 2014 by Robert B. Waltz and David G. Engle [hereafter given as "The Ballad Index: Mary Mack"]
"Mary Mack all dressed in black/Silver buttons all down her back” -"Archer Taylor in English Riddles from Oral Tradition (Berkley, 1951); riddle #656 with the solution "coffin"

3. The "Mary Mack" rhyme is a rhyming exercise and doesn't really mean anything.

4. Similar to #3, "Miss Mary Mack" is composed of lines from various sources (such as a riddle and lines from other stand alone rhymes and/or songs.)
-snip-
Many playground rhymes are composed by stringing together sometimes unrelated stand alone rhymes or songs, or lines from those compositions. "Miss Mary Mack" isn't unique in that regard.

Read the 1888 example of "Miss Mary Mack" given below for one example of how this rhyme is obviously composed by combining lines from different sources.

Also, "Going To see the elephant jump the fence" may mean going to the circus to see the trained elephants do tricks, although elephants don't jump fences in the circus, and jump so high that they don't return down to the ground until the 4th of July. So there's that...

However, http://en.wikipedia.org/wiki/Seeing_the_elephant indicates that "The phrase "seeing the elephant" is an Americanism (or American phrase) of the mid to late 19th century. Seen throughout the United States in the Mexican-American War, the Texas Santa Fe Expedition, the American Civil War, the 1849 Gold Rush, and the Westward Expansion Trails (Oregon Trail, California Trail, Mormon Trail), the mythical elephant was an extremely popular way of expressing an overwhelming emotion."

Furthermore, lines from "Mary Mack" are found in an African American Spiritual:
Source: "The Ballad Index: Mary Mack"
"One spiritual includes the verse "Look over there what I see, Mary and Mac, Dressed in black. Where shall I be when the first trumpet sound? Where shall it be when it sound so loud? Goin' ter wake up de dead" (source: Anna Kranz Odum, "Some Negro Folk-Songs from Tennessee" in The Journal of American Folklore, Vol. XXVII, No. 105 (Jul 1914 (available online by JSTOR)), #3 p. 257 "Goin' ter Wake Up de Dead" (1 text)). Apparently not knowing about the rhyme, Odum reasonably takes Mac to be a corruption of Martha, Mary of Bethany's sister (John 11:1-12:11); or perhaps he has it right and the rhyme is corrupted."
-snip-
In my opinion, those lyrics quoted by The Ballad Index serve as an common example of a singer of religious songs including lines from a secular source, probably to extemporaneously "keep the song going". While the borrowing is usually from the religious to the secular, I'm sure that there are examples of the use of lyrics in the other direction (although I can't think of any off the top of my head). Anyone care to offer some examples?

"The Ballad Index: Mary Mack" also indicates that the "Mary Mack" rhyme should "Not to be confused with the music hall song of the same title, which involves what sounds to be a shotgun wedding".
-snip-
That music hall song is the Scottish folk song "Mari Mac". Click http://mudcat.org/thread.cfm?threadid=2645 "Lyric request: Mary Mack or Mari-Mac" for information about & lyric examples of that song.

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EXAMPLES OF "MARY MACK" FROM THE SINGING GAME (edited by Iona and Peter Opie, (1985)
quoted by Donna Richoux, https://groups.google.com/forum/#!msg/alt.usage.english/u483flGZvk8/aS6QBNxm2w8J April 7, 2011

..."Miss Mary Mack" is entry number 145 [in the Opies' book].

They say that this song "is clapped today by girls all over the country", meaning
Britain. So that addresses the first question.

They say it is "a combination of an old English rhyme and an oldish
American one."

This one was documented in Boston in 1865:

Mary Mack, dressed in black,
Silver buttons all down her back,
Walking on the railroad track.

In the 1870s, Shropshire children were observed dancing to:

Betsy Blue came all in black,
Silver buttons down her back,
Every button cost a crown,
Every lady turn around,
Alligoshi, alligoshee,
Turn the bridle over my knee.

The rhyme about the elephant who jumps the fence turns up independently
in the US, starting around 1915."

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A 1888 VERSION OF "MISS MARY MACK"
From: The Counting-Out Rhymes of Children
By Henry Carrington Bolton
New York, NY: D. Appleton & Co. 1888
Pg. 117:
Miss Mary Mack, dressed in black,
Silver buttons on her back.
I love coffee, I love tea,
I love the boys, and the boys love me.
I'll tell ma when she comes home,
The boys won't leave the girls alone.
N. S. B., West Chester, Pa. 1888
-quoted by Donna Richoux, https://groups.google.com/forum/#!msg/alt.usage.english/u483flGZvk8/aS6QBNxm2w8J April 7, 2011
-snip-
Note: Commenter Cheryl wrote on April 8, 2011 that part of that version of "Miss Mary Mack" includes lines from the folk song "Mari-Mac".
-snip-
Since "I Love Coffee, I Love Tea" is an independent rhyme, that 1888 example of "Miss Mary Mack" can be said to be made up by combining a riddle (if you believe that theory as I do), lines from a (then) jump rope rhyme, and lines from a Scottish folk song.

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A SIMILAR RHYME PUBLISHED IN 1922
The song/rhyme entitled "The Elephant" that is included in African American professor Thomas W. Talley's now classic 1922 book Negro Folk Rhymes, Wise & Otherwise can be considered an early example of "Mary Mack"- even though that example doesn't include the name "Mark Mack", or whether its a girl or boy speaking the lines, or whether the person speaking wore black with or without silver buttons down her or his back.:

My mammy gimme fifteen cents
Fer to see the elephan' jump de fence.
He jump so high, I didn't see why,
If she gimme a dollar he mought not cry.

So I axed my mammay to gimme a dollar,
Fer to sgo an' hear de elephan' holler,
He holler so loud, he skerred de crowd.

Nex' he jump so high, he reech de sky;
An' he won't git back 'fore de fo'th o' July.
[Kennikat Press edition, 1969, p 116; originally published 1922 Macmillan Press] http://www.gutenberg.org/files/27195/27195-h/27195-h.htm {Warning: That book includes the includes what is now known as "the n word" fully spelled out.]

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"ASK MY MOTHER FOR SIXPENCE" RHYMES/SONGS
It seems clear that the British & Australian rhymes or songs that include the "ask my mother for sixpence to see the giraffe" lines are similar to those lines in "Mary Mack" rhymes. However, I'm not sure when those rhymes were first documented. Did they come before or after the American "Mary Mack" rhymes? (assuming that the "Mary Mack" rhymes originated in the United States).

I refer to those "ask my mother for sixpence to see the giraffe" rhymes as "profanity avoidance" rhymes because those compositions act like they are avoiding the use of profanity or taboo words when they actually using or implying those words. In those compositions the last word of each line could be considered risqué or taboo, but the first word of the next line provides plausible deniability about what the chanter or singer meant to say. Instead of that pattern, in some profanity avoidance rhymes or songs the last word in each line of a profanity avoidance rhyme or song might be omitted (i.e. not said or sung) because it is risqué or taboo. For instance, the word "hell" was omitted in some late 19th century or early 20th century songs/rhymes. Also, consider the examples of "Miss Susie Had A Steamboat", a very widely known profanity avoidance playground rhyme.

WARNING: The rhymes that include the "ask my mother for sixpence" lines can be considered to be bawdy (what British people call "rude" and what children I know refer to as "nasty". Here's an excerpt of a profanity avoidance rhyme that shares some similarities with the subject matter found in "Mary Mack":

Ask your mum for sixpence to see the big giraffe
Pimples on his whiskers and pimples on his aarr....
....auntie Mary had a canary thought it was a duck
took it behind the kitchen door and taught it how to f-f-f.....
....fried eggs for dinner, fried eggs for tea
the more you eat, the more you drink, the more you want to ppee...
....peter had a boat, the boat begaan to rock
along came a shark and bit off his c-c-c...
cock - a - doodle do that's all i have for you
- GUEST,Geoff http://dev.mudcat.org/thread.cfm?threadid=11873&messages=91&page=1&desc=yes Aunty Mary Had a Canary - where?
-snip-
Another example of that same "ask your mother for sixpence to see the giraffe" rhyme/song is:

Well I ask my mother for a sixpence to see the new giraffe
With wrinkles in he body and dimples in he…
Ask my mother for a sixpence to see the new giraffe
With wrinkles in he body and dimples in he…
Ask me no questions, you will hear no lies,
Put down molasses and it will catch no flies...
-snip-
A long example of this rhyme can be found on http://www.charliegillett.com/bb/viewtopic.php?f=1&t=19928 as posted by Jamie Renton » Fri Feb 03, 2012 9:07 pm who quoted a Bajan (Barbados) song entitled "Sixpence" that is found on YouTube.
-snip-
I'm not sure when the first documented example of "ask my mother for sixpence to see an animal" was first documented in the United Kingdom. Could "Mary Mack" rhymes in the United States be cleaned up versions of bawdy British originated rhymes with the name "Mary Mack (perhaps from the Scottish folk rhyme "Mari Mac" or the Civil war ship "Merrimac")?

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EDITORIAL COMMENTS
In her book The Games Black Girls Play: Learning the Ropes from Double-dutch to Hip-hop, African American author Kyra Danielle Gaunt wrote “The game song “Miss Mary Mack” is the most common hand clapping game in the English- speaking world, and the most familiar in black repertoire.”[Google Book, page 63]
-snip-
Kyra Gaunt gave no citations for those statements, but she did list these collection dates for this rhyme in the United States & in New Zealand:
"Roger Abrahams (1969) found variations of this game song in Kansas (1940), Missouri (1947), North Carolina (1948), Arkansas (1949), Pennsylvania (1959), Texas (1963), Indiana (1966), and New Zealand (1959). He linked the performance to region, but did not include any information about the ethnicity of the performers. According to Abrahams, the first lines of “Mary Mack” are based on a riddle for “coffin” that has origins in English oral practices (Taylor 1951, quoted 234, quoted in Abrahams 1969, 120.)”Source: The Games Black Girls Play: Learning the Ropes from Double-dutch to Hip-hop [Google Book, p. 63]

My personal experiences facilitating game song groups and special game song performances in the Pittsburgh, Pennsylvania area from 1997-2005 (mostly with Black children) support the view that "Miss Mary Mack" was a widely known rhyme. That said, it seemed to me that "Miss Mary Mack" was much more widely known among African American children (5-12 years) than among non-African American children of those same ages. Indeed, it seemed to me that "Miss Mary Mack" was the most widely known (but not the most popular) playground rhyme among African American children. (I think the most popular rhyme among that popular in the Pittsburgh, Pennsylvania area during those years may have been "Mama Mamma Can't You See" or "Twee lee lee", also known as "Rockin Robin"). However, by at least 2003, it appeared that fewer African American children knew the words to "Miss Mary Mack" than had previously known that rhyme.

**
It's likely the title "Miss Mary Mack" is more commonly found among African Americans than non-African Americans. One reason for this may be that many African American children (particularly those children in the South or raised by adults with recent Southern roots) were (are) taught to always address women using the title "Miss" before their last name or their first name, if you were given permission to use that first name. Hence, that rhyme is usually known as "Miss Mary Mack" and not "Mary Mack". It seems to me that that rule might also be operative in the rhymes "Miss Sue From Alabama " and "Miss Lucy Had A Steamboat". However, it should be noted that it seems to me that the voice that is speaking the lines in "Miss Mary Mack" is a girl and not a woman. (After all, she asks her mother for money to see the elephants jump the fence.)

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RELATED LINKS
In addition to the Cocojams Handclap rhyme #2 page mentioned earlier, visit this page on my cocojams.com website for additional examples and comments about "Miss Mary Mack" as remembered by African American females in the 1980s or 1970s: http://www.cocojams.com/content/old-school-playground-rhymes-remembered-members-black-sororities.

Click http://www.playgroundjungle.com/2009/12/mary-mack.html for examples of & comments about "Mary Mack", including examples that end with this old floating verse that is found in a number of 19th century American and Caribbean folk rhymes/songs:
"July can't walk, walk, walk
July can't talk, talk, talk
July can't eat, eat, eat
With a knife and fork, fork, fork"

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"My Mommy Sent Me To The Store" & What Ya Gonna Feed Him" Children's Rhymes

Edited by Azizi Powell

This post presents text examples of children's rhymes that include the line "My mommy (or "mother") sent me to the store". Many of these rhymes include the lines "What ya gonna feed him/neck bones (or words that are a similar to "neck bones"). A sub-set of those children's rhyme examples contain the line "Shave and a haircut/Two bits" rather than the line "My mommy sent me to the store".

The content of this post is presented for folkloric, cultural, and recreational purposes.

All copyrights remain with their owners.

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GENERAL COMMENT
These examples demonstrate how children combine two or more independent (stand alone) verses or rhymes. The verse that is common with these examples (with the exception of Examples #1 & #4) are made up of two or more "what" or "who" questions with short, rhyming responses. The line "What ya gonna feed him (or "it") is found in each of these examples, except the exceptions already mentioned. The first "What" question is the first line of the second [stand alone?] rhyme. The first rhyme is either "My mommy sent me to the store" or "shave and a haircut". Other rhyming verses may also be added to these rhymes.

It also occurs to me that these rhymes with "what" or "who" questions & short, rhyming responses remind me of the song/chant "Hambone" ("Hambone Hambone where you been"?), and the "Puddin Tane" rhyme ("What's your name/Puddin Tane"). And another "What did you feed them?" song from African American culture -along with this posts' featured rhymes- is "Did You Feed My Cow".

DEMOGRAPHICAL INFORMATION
Very little demographical information is available for the rhyme examples that are featured on this page. All of these examples were given as remembrances of rhymes that the contributors chanted or the contributors remembered being chanted during their childhood (by other children or by their parents or from their grandmother who remembered it from her own childhood).

Both female and male contributors posted examples of these rhymes. No racial demographics were given for any of these contributors. However, read my comments after Example #3 in which I share why I deduced that the contributors for that example and for Example #2 were African American.

The earliest date for the examples in this collection is 1922 (from Dad's memory). Other dates that were given were "the [19]60s (from grandmother), and "my whole childhood" (age given 27 years in 2010 = 1970s) [Example #7].

PERFORMANCE ACTIVITY
Example #1 in this post is from a collection of jump rope rhymes. Another contributor [Example #4] indicated referred to her [?] rhyme as a "clapping game". No performance information was given for the other examples.

RHYME SOURCES
I believe that this children's rhyme was inspired by the Fats Waller song "My Mommie Sent Me To The Store". I also believe that that Fats Waller song in turn was inspired by the Parkers Brothers card game "My Mother Sent Me To The Grocery Store.

Click http://pancocojams.blogspot.com/2014/01/fats-waller-my-mommie-sent-me-to-store.html for an example of and lyrics to that 1940 Fats Waller song, and information about that memory game which was first produced around 1902.

The "Shave and a haircut. Two Bits" line comes from that popular jingle & tune. Click http://pancocojams.blogspot.com/2014/01/thethe-source-of-shave-and-hair-cut-two.html for a pancocojams post about that tune. Also, click http://pancocojams.blogspot.com/2014/01/examples-of-shave-and-haircut-childrens.html for additional "Shave and a haircut" children's rhymes.

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FEATURED EXAMPLES
These examples are posted in chronological order based on their publishing date online or their collection date with the earliest published examples given first. When neither of those dates are available, that example will be posted with the date that it was retrieved from that website.

Example #1:
Mother sent me to the store.
She said I could not stay.
I fell in love with a blue eyed boy.
I couldn't get away.
Source: Abrahams (1969); http://mudcat.org/jumprope/jumprope_display.cfm?rhyme_number=175

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Example #2:
My momma sent me to the store
She told me not to stay out long
I fell in love with a little black boy
That stole my heart away, hey hey hey.
Who's the daddy?
Tyrone
What you gonna feed him?
Neckbones

LOL, I don't remember the rest of it. That was a long time a go
CJUS, 4-01-2003 http://www.greekchat.com/gcforums/archive/index.php/t-31403.html "Old School Chants"
-snip-
Read my comment below about this example and example #1.

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Example #3:
Originally posted by CJUS
"My momma sent me to the store
She told me not to stay out long
I fell in love with a little black boy
That stole my heart away, hey hey hey.
Who's the daddy?
Tyrone
What you gonna feed him?
Neckbones

LOL, I don't remember the rest of it. That was a long time a go"

...I fell in love with the grocery boy who took my heart away, way way.

Who's the daddy?
Tyrone
Whatcha' gone feed it?
babyfood
Whatcha' gonna feed it with?
a silverspoon.
Kisha, 4-01-2003 http://www.greekchat.com/gcforums/archive/index.php/t-31403.html "Old School Chants"
-snip-
From the vernacular language used in some of the rhyme examples & some of the comments, and from the inclusion of certain rhymes which are almost always associated with African Americans, I deduced that all the participants in this Greekchat.com "old school chants" discussion thread were African Americans. This deduction was reinforced by some of the screen names and signage of other participants in this discussion thread which identified those contributors as members of historically Black Greek lettered sororities (and the fact that sororities in the United States are almost completely racially segregated.)

I believe that both of these Greekchat.com examples are missing a line or lines at the end. Read the subsequent examples to find possible ending lines and/or the format used to come up with possible ending lines.

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Examples #4:
Clapping games
(These lines probably don’t even really go together except in my head.)

My boyfriend’s name is Tony.
He comes from the land of Baloney.
With 23 toes and a pickle for a nose.
This is how my story goes.
One night while I was walking

I saw my boyfriend talking
to a cute little girl with a strawberry curl
and this is what he said, said, said.
I L-O-V-E love you.
I K-I-S-S kiss you.
I K-I-S-S kiss you on your
F-A-C-E face face face.

My mother sent me to the store.
She told me not to stay.
But I fell in love with the grocery boy
and stayed ’til Christmas day, day, day.

My mother wanted peaches;
my mother wanted pears;
my boyfriend wanted 50 cents
and kissed me on the stair, stairs, stairs.

http://honey.delobi.us/2009/11/ryhmes-remembered/ Posted on Saturday, November 21, 2009 in children's rhymes

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Example #5:
Shave and a haircut, two bits.
Who’s gonna pay for it? Tom Nix.
Whatcha gonna feed him on? Cold Grits.

Don’t know where that came from, but that’s how my grandmom sang it in the 60s
-Elizabeth on September 17, 2010, http://dan.hersam.com/2004/09/21/shave-and-a-haircut-two-bits/ "Amidst a tangled web: shave and a haircut, two bits" Hereafter given as Hersam: Shave And A Haircut
-snip-
From http://en.wikipedia.org/wiki/Tom_Mix
"Thomas Edwin "Tom" Mix (born Thomas Hezikiah Mix;[1] January 6, 1880 – October 12, 1940) was an American film actor and the star of many early Western movies. Between 1909 and 1935, Mix appeared in 291 films,[2] all but nine of which were silent movies. He was Hollywood's first Western megastar and is noted as having helped define the genre for all cowboy actors who followed."

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Examples #6:
All the variations are amazing! This is my memory:

Shave and a haircut, six bits,
Who’s the barber, Tom X (maybe Mix).
What’re your gonna feed him? Steak bones?
Who’s gonna eat ‘em? Spike Jones.
-Polly on September 25, 2010, Hersam: Shave And A Haircut
-snip-
From http://en.wikipedia.org/wiki/Spike_Jones
"Lindley Armstrong "Spike" Jones (December 14, 1911 – May 1, 1965) was an American musician and bandleader specializing in performing satirical arrangements of popular songs. Ballads and classical works receiving the Jones treatment would be punctuated with gunshots, whistles, cowbells, and outlandish vocals. Through the 1940s and early 1950s, the band recorded under the title Spike Jones and his City Slickers and toured the United States and Canada under the title The Musical Depreciation Revue."

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Example #7:
I’m 27, and my whole childhood we sang
“shave and a haircut,
2 bits; who ya gonna marry? thomas
whatcha gonna feed him? ham bones
who’s gonna eat ‘em? spike jones

then we’d instantly go into the “my momma told me” song.
-Janice on September 27, 2010, Hersam: Shave And A Haircut
-snip-
"My momma told me" is probably the song:
My momma told me
If I would goody
She gonna buy me
A rubber dolly
But someone told her
I kissed a soldier
She didn't buy me
A rubber dolly.
(from my memory of that song in New Jersey, 1950s, jump rope or hand clap rhyme)

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Example #8:
My grandmother sings:

Shave and a haircut–two bits
Who got married–Tom mix
Who was he doctor–buck jones
What did they feed him–dog bones


Awesome!!! Thought it was always something she made up for us but it’s cool I found others!!
-Dusty on March 16, 2011, Hersam: Shave And A Haircut
-snip-
From http://en.wikipedia.org/wiki/Buck_Jones
"Buck Jones (December 12, 1891[1] – November 30, 1942) was an American motion picture star of the 1920s, 1930s, and 1940s, known for his work starring in many popular western movies. In his early film appearances, he was billed as Charles Jones."

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Examples #9:
The way my grandmother and mother taught us was:

Shave and a haircut, two bits!
Who ya gonna marry? Thomas!
What ya gonna feed him? Neck Bones!
Who’s gonna eat them? Spike Jones!

This was followed up by the lady with the bald headed baby song
-Alicia on June 29, 2012, Hersam: Shave And A Haircut
-snip-
This may be the rhyme (song) that includes a line about "the lady with the bald headed baby"
From http://girlgriots.tumblr.com/ "The Handgame Society"

Take a peach take a plum
take a pocket full of gum
No no don’t take it
Take it up
Take it down
Take it all the way around
Popcorn maybe chicken and gravy
Here comes the lady with the bald-headed baby
She can wiggle she can wobble
She can do the splits
Betcha 5 dollars she can’t do this:
Said spin all the way arrrrouunnd
Jump all the way arroounnd

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Examples #10:
Ok kids, here my Dad’s version, who was born in 1922:

Shave and a haircut, 2 bits.
Who’d got married? Tom Mix.
Who’d he marry? Shea Ray.
How’s the baby? OK.
Who’s the doctor? Doc Jones.
What’ya feed the baby? Big bones.
-Chris on September 30, 2012, Hersam: Shave And A Haircut

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Example #11:
My gramma taught me:

Shave and a hair cut – two bits
Who’s getting married – Thomas
Who is he marrying – Pearl White
How is the baby – All right
What do they feed her – Ham bones

I’m pretty sure there’s another line to rhyme with bones.
-Atalaya on May 16, 2013, Hersam: Shave And A Haircut
-snip-
From http://en.wikipedia.org/wiki/Pearl_White
"Pearl Fay White (March 4, 1889 – August 4, 1938) was an American film actress. White began her career on the stage at the age of six. She later moved on to silent film appearing in a number of popular serials.

Dubbed the "Queen of the serials", White was noted for doing the majority of her own stunts in several film serials, most notably in The Perils of Pauline."

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Example #12:
Shave and a Haircut, 2 Bits
Who is the Barber? Tom Mix
Whatcha gonna Feed him? Neck Bones
Who’s Gonna Eat ‘Em? Buck Jones
Run to the River, Jump In.
Sink to the Bottom,
The End.
-Jim Lilly July 8, 2013, Hersam: Shave And A Haircut

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Thanks to all those who are quoted in this post. Special thanks to Dan Hersham http://dan.hersam.com/2004/09/21/shave-and-a-haircut-two-bits/ "Amidst a tangled web: shave and a haircut, two bits".

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